Stimulators's ' "Wine And Grind" was released on its scheduled release date, September 1, 2004. This song is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The track order of this song in Stimulators's "Live & Direct" album is number 6 out of 9. On top of that, United States appears to be the country where this track was created. Based on our statistics, Wine And Grind's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Wine And Grind by Stimulators to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hoof Jelly | Chris Jones | E♭ Major | 6 | 5B | 137 BPM | ||
| The Beat Goes On | Patricia Barber | G Major | 1 | 9B | 103 BPM | ||
| The Day the Blues Came to Call | Teresa James & the Rhythm Tramps | D Major | 3 | 10B | 81 BPM | ||
| Use Me | Junior Wells | E Minor | 4 | 9A | 167 BPM | ||
| Beach Train | Johan Borgh | D Major | 2 | 10B | 172 BPM | ||
| Jean Pierre | Marcus Miller | D♭ Minor | 5 | 12A | 85 BPM | ||
| St. James Infirmary | Allen Toussaint | F Minor | 2 | 4A | 107 BPM | ||
| Thanks To You | Boz Scaggs | E Minor | 2 | 9A | 81 BPM | ||
| Empty Bed Blues | Ida Sand, Stockholm Underground | C Major | 3 | 8B | 98 BPM | ||
| The Night Don't Forgive | The EvenTunes | G Major | 3 | 9B | 96 BPM | ||
| Stormy Monday | Eva Cassidy | B♭ Major | 4 | 6B | 51 BPM | ||
| Smooth Funk | Gnaposs | A Major | 5 | 11B | 170 BPM | ||
| Walkin' Blues Again | Eric Bibb | D Major | 3 | 10B | 94 BPM | ||
| Vtt | Vital Techtones | D♭ Minor | 4 | 12A | 102 BPM | ||
| Who's Been Talkin'? | Lucky Peterson | A Minor | 3 | 8A | 121 BPM | ||
| Home | Dominique Fils-Aimé | D♭ Major | 3 | 3B | 75 BPM | ||
| I Will Not Surrender | Curtis Salgado, Alan Hager | D Major | 2 | 10B | 71 BPM | ||
| Mokka Blues | Orgzeptor | C Major | 5 | 8B | 141 BPM | ||
| My Little Angel | Blues Company | G Minor | 2 | 6A | 183 BPM | ||
| I Can't Quit You Baby | Bjørn Berge | B♭ Minor | 1 | 3A | 88 BPM | ||
| Lol Found That Harmonica | Billy Blue | B♭ Major | 7 | 6B | 100 BPM | ||
| The Peppery Man | Natalie Merchant | E Minor | 3 | 9A | 121 BPM | ||
| Chitlins Con Carne | Stimulators | G Minor | 5 | 6A | 125 BPM | ||
| The Black Messiah (Part Two) | George Duke | C Major | 4 | 8B | 128 BPM | ||
| St. James Infirmary Blues (Live) | Stimulators | C Minor | 3 | 5A | 190 BPM |