Rituraj Mohanty, Baidyanath Dash, Dilip Choudhary's 'Agneepatha - From "Operation 12/17"' had a release date set for March 6, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Agneepatha (From "Operation 12/17") and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Agneepatha - From "Operation 12/17" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Agneepatha - From "Operation 12/17" by Rituraj Mohanty, Baidyanath Dash, Dilip Choudhary is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| EK MULAQAT JARURI HAI SANAM | Beats Factory India | D Major | 8 | 10B | 144 BPM | ||
| Tor Dil | Anup Bading | G Major | 4 | 9B | 52 BPM | ||
| Payanave (From "Seetha Payana") (Kannada) | Anup Rubens, Sathyaprakash, Bharatha Janani | E Minor | 7 | 9A | 87 BPM | ||
| Gurugalu Namma Gurugalu 8D Audio Song | Vijay Prakash | E Major | 5 | 12B | 79 BPM | ||
| Keh Nahi Paate | Puneet Dixit, bhanu pandit | C Minor | 6 | 5A | 113 BPM | ||
| Mahakaal | Nandita Sambyal | D Major | 8 | 10B | 144 BPM | ||
| Tu Hi Tu 0.1 | Prem Darshan | G Major | 7 | 9B | 100 BPM | ||
| Hudu ahzi gele tui (audio) | Pu Nong Chan | D Major | 8 | 10B | 144 BPM | ||
| Bhul Karideli Bhala Paiki (Female Version) | Anuradha Panigrahi, Prem Darshan | A♭ Minor | 7 | 1A | 98 BPM | ||
| Aashiqui Tera Khata Mera Jhoonun | Vatsal Bhoya | A Minor | 7 | 8A | 174 BPM | ||
| Piya Re Piya | Mausam Mukherjee, Debolina Nandy | A Minor | 6 | 8A | 93 BPM | ||
| Main Deewaana | SunDilSe | B♭ Major | 4 | 6B | 110 BPM | ||
| Ik yaad | Bhavesh Malviya | B♭ Major | 6 | 6B | 104 BPM | ||
| Guru Ji Shukar Kara | Sonia Arora | E♭ Major | 5 | 5B | 144 BPM | ||
| Prem Roshika | Pousali Banerjee | E Minor | 6 | 9A | 108 BPM | ||
| Swapna Pari Tu Chhuinja | Kuldeep Pattanaik, Rashmirekha Mishra | D Minor | 7 | 7A | 156 BPM | ||
| Beimani | RukhSara | E Minor | 4 | 9A | 99 BPM | ||
| Shukher Jhor | Sharalipi, Akash Mahmud | G Minor | 7 | 6A | 85 BPM | ||
| Chale to Kat hi jaayega | Aniketan Kumar | B♭ Major | 9 | 6B | 150 BPM | ||
| Biswanath Title Song - From "Biswanath" | Abhijit Majumdar, Rituraj Mohanty | F♯ Major | 9 | 2B | 136 BPM | ||
| Ishq Mein Jo Na Fana Ho | Mohd Aqib Turk | D Major | 8 | 10B | 144 BPM | ||
| Aama Saai Re Bhadaa Rahuchi | Baidyanath Dash | C Minor | 10 | 5A | 150 BPM | ||
| Dina Keita Re Badalilu | Munu Pagal, Paritosh Rout, Rituraj Mohanty | B Minor | 9 | 10A | 80 BPM | ||
| Dho Re Baya Dho | Baibhav Prusty, Baidyanath Dash | F♯ Minor | 9 | 11A | 160 BPM | ||
| Prem Che (From "Tu Male To Utsav") | Abhay Jodhpurkar | E♭ Minor | 5 | 2A | 140 BPM |