- BPM
- 81
- Key
- A♭ Minor
- Camelot
- 1A
Intelligence, Act One: Wilson Aria. Why risk everything for this? by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Jamie Barton, Joshua Blue Song Details
"Intelligence, Act One: Wilson Aria. Why risk everything for this?" by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Jamie Barton, Joshua Blue had its release date on August 29, 2025. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, J'nai Bridges's "Jake Heggie: Intelligence" album is number 12 out of 25. Intelligence, Act One: Wilson Aria. Why risk everything for this? is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Intelligence, Act One: Wilson Aria. Why risk everything for this? by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Jamie Barton, Joshua Blue to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -18.451 dB
- Acousticness
- 98%
- Danceability
- 25%
- Energy
- 29%
- Instrumentalness
- 0%
- Liveness
- 43%
- Loudness
- 69%
- Speechiness
- 6%
- Valence
- 6%
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
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 | Tosca, Act I: Or lasciami al lavoro | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | |
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 | 3 Liriche, P. 099a (Orch. Salvatore Di Vittorio): No. 1, Notte | Ottorino Respighi, Alessandra Visentin, Chamber Orchestra of New York, Salvatore Di Vittorio | F Major | 1 | 7B | 75 BPM | |
 | Myrthen, Op. 25: No. 1, Widmung | Robert Schumann, Margaret Price, James Lockhart | A♭ Major | 1 | 4B | 192 BPM | |
 | Petite messe solennelle: XVIII. Agnus Dei | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, José Maria Lo Monaco, Francesco Corti, Cristiano Gaudio, Deniel Perer | D Major | 1 | 10B | 91 BPM | |
 | Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | |
 | Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | |
 | V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | |
 | Schwanenlied | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | E Major | 1 | 12B | 93 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Der Teig ist gar, wir können voranmachen" [The Nibblewitch] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | B Major | 1 | 1B | 76 BPM | |
 | Ives: Wiegenlied | Charles Ives, Thomas Hampson, Armen Guzelimian | A♭ Major | 0 | 4B | 133 BPM | |
 | Roussel: Odes anacréontiques, Op. 31: No. 2, Qu'il faut boire | Albert Roussel, José van Dam, Dalton Baldwin | A Major | 0 | 11B | 115 BPM | |
 | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: VII. Qui Paraclitus diceris - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | A♭ Major | 3 | 4B | 96 BPM | |
| Humperdinck : Hänsel und Gretel : Act 2 "Kuckuck, Kuckuck, Eierschluck!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Minor | 0 | 5A | 136 BPM | |
 | Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda, Yvette, Bianca, Prunier, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébillon) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | B♭ Minor | 8 | 3A | 126 BPM | |
 | Three Decembers: Act I: Duet - Maddy & Bea: "In the months, in the years ahead?" | Jake Heggie, Gene Scheer, Jake Hegge; Gene Scheer, Houston Grand Opera, Patrick Summers | B♭ Major | 1 | 6B | 85 BPM | |
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- ISRC
- QT4NB2500112
- Label
- L-M Records/RCA Records