Not Applicable, Paul Robeson, Lawrence Brown's 'Closing Thanks - 2024 Remastered Version' had a release date set for 1971. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Paul Robeson Live in New York 1958 (2024 Remastered Version)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United States. Based on our statistics, Closing Thanks - 2024 Remastered Version's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Closing Thanks - 2024 Remastered Version by Not Applicable, Paul Robeson, Lawrence Brown having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 3 in D Minor, WAB 103 (1873 Version): III. Scherzo. Ziemlich schnell – Trio. Gleiches Zeitmaß – Scherzo da capo | Anton Bruckner, Berliner Philharmoniker, Herbert Blomstedt | F Major | 2 | 7B | 136 BPM | ||
| 180 - Jesus é a Luz que veio ao mundo | Orquestra Sacra | D Major | 1 | 10B | 141 BPM | ||
| Transylvanian March and Embassy Waltz from 'My Fair Lady': Transylvanian March and Embassy Waltz from 'My Fair Lady' | Frederick Loewe, John Wilson, Sinfonia Of London | E Major | 1 | 12B | 68 BPM | ||
| Bruno Walter in Conversation with Arnold Michaelis: Bruno Walter about Brahms | Not Applicable,, Bruno Walter | A♭ Minor | 2 | 1A | 80 BPM | ||
| O du mein holder Abendstern (Tannhäuser) | Dietrich Fischer-Dieskau, Philharmonia Orchestra | E♭ Major | 2 | 5B | 110 BPM | ||
| Candide, Act I: Glitter and Be Gay | Leonard Bernstein, Simone Kermes, Warsaw Chamber Opera Orchestra, Julien Salemkour | D Major | 1 | 10B | 141 BPM | ||
| Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | ||
| Kyrie / 荒野の果てに | kanon, Not Applicable | G Major | 1 | 9B | 79 BPM | ||
| 7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
| Ein deutsches Requiem, Op. 45: V. Soprano and Chorus. Ihr habt nun Traurigkeit | Johannes Brahms, Raphael Pichon, Sabine Devieilhe, Ensemble Pygmalion | G Major | 1 | 9B | 127 BPM | ||
| Khachaturian: Gayaneh, Op. 50: Dance of the Mountaineers | Aram Khachaturian, Yuri Temirkanov, Royal Philharmonic Orchestra | D Major | 1 | 10B | 141 BPM | ||
| Symphonie fantastique, H. 48: II. Un bal. Valse | Hector Berlioz, Orchestre de Paris, Klaus Mäkelä | A Major | 1 | 11B | 100 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Eine Hex', steinalt" [Father, Stepmother] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 83 BPM | ||
| To Refine a Very Highly Developed and Nuanced Performance | Not Applicable, Richard Einhorn | G Major | 0 | 9B | 113 BPM | ||
| Symphony No. 3 in E Flat Major, Op. 97 "Rhenish": I. Lebhaft | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | E Minor | 2 | 9A | 90 BPM | ||
| Miške, MKČ 101: III. Exposition, Secondary Theme. Andante espressivo e cantabile | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | C Major | 0 | 8B | 129 BPM | ||
| Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko | G Major | 4 | 9B | 126 BPM | ||
| Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
| Morning, Noon and Night in Vienna: Overture | Franz von Suppé, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 139 BPM | ||
| Eugene Onegin, Op. 24, TH 5 / Act III: Scene and Aria. "I zdyes mnye skuchno!" - "Knyaginya Gremina! Smotrite!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Paata Burchuladze, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
| Bruno Walter in Conversation with Arnold Michaelis: About the value of recordings | Not Applicable, Bruno Walter, Arnold Michaelis | A Minor | 1 | 8A | 58 BPM | ||
| Spartacus: Variations of Aegina and Bacchanalia | Aram Khachaturian, Wiener Philharmoniker | C Major | 5 | 8B | 74 BPM | ||
| Wagner: Der fliegende Holländer, Act 1: Overture | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | A Major | 1 | 11B | 164 BPM | ||
| Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Herbert von Karajan, Anna Tomowa-Sintow, Wiener Singverein, Berliner Philharmoniker | G Major | 1 | 9B | 86 BPM | ||
| Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 1: Veni, creator spiritus | Gustav Mahler, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Philharmonic, Gustavo Dudamel | A♭ Major | 4 | 4B | 65 BPM |