DAY26's 'Bullshit' had a release date set for January 6, 2023. Bullshit is explicit and may not be suitable for children. With the duration being about 3:34, this song is close to the average duration of a typical track. There are a total of 9 in the song's album "The Return". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Bullshit's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Bullshit by DAY26 having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| So Good | DAY26 | C Minor | 6 | 5A | 122 BPM | ||
| When Can I See You Again | Chico DeBarge | F♯ Minor | 5 | 11A | 120 BPM | ||
| Since You've Been Gone | DAY26 | F♯ Major | 7 | 2B | 130 BPM | ||
| Forget | DAY26, The Exclusives | F Major | 5 | 7B | 144 BPM | ||
| Never Let You Go | Ideal | A♭ Major | 3 | 4B | 74 BPM | ||
| Phone Booth | Teairra Marí | A Minor | 5 | 8A | 131 BPM | ||
| Explode | TGT | B Minor | 4 | 10A | 137 BPM | ||
| All The Places (I Will Kiss You) | Aaron Hall | C Minor | 4 | 5A | 136 BPM | ||
| You Are | The ATL Project | G Minor | 5 | 6A | 128 BPM | ||
| Sex Never Felt Better | TGT | C Minor | 6 | 5A | 127 BPM | ||
| Fabulous - feat. Tha Rayne | Jaheim, Tha' Rayne | E Minor | 5 | 9A | 76 BPM | ||
| I'm the Reason | DAY26 | F Minor | 8 | 4A | 115 BPM | ||
| Hands Tied | Toni Braxton | C Major | 7 | 8B | 146 BPM | ||
| 'Bout It, 'Bout It | Jesse Powell | C Minor | 5 | 5A | 114 BPM | ||
| Over | LeToya | D Major | 9 | 10B | 122 BPM | ||
| Never | Jaheim | E Major | 3 | 12B | 105 BPM | ||
| If I Was Your Man | Joe | D♭ Major | 5 | 3B | 95 BPM | ||
| Kissin' You | Total | B Minor | 5 | 10A | 82 BPM | ||
| What A Girl Wants | B2K | E Minor | 5 | 9A | 70 BPM | ||
| Now You Got Someone | Avant | B♭ Minor | 5 | 3A | 111 BPM | ||
| Anything | O'Ryan | A Major | 5 | 11B | 61 BPM | ||
| Damn | Profyle | D♭ Major | 6 | 3B | 105 BPM | ||
| Close Your Eyes | Johnta Austin | A♭ Major | 7 | 4B | 124 BPM | ||
| That's What It's Made For | USHER | F♯ Major | 5 | 2B | 146 BPM | ||
| Marriage | Marques Houston | G Minor | 6 | 6A | 117 BPM |