"Three Compositions" by Milton Babbitt, Robert Taub had its release date on 1986. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Milton Babbitt, Robert Taub's "Milton Babbitt: Piano Works" album is number 1 out of 9. On top of that, United States appears to be the country where this track was created. Three Compositions is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three Compositions by Milton Babbitt, Robert Taub to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Six Bagatelles for Wind Quintet: III. Allegro grazioso - Live | György Ligeti, Marion Ralincourt, Hélène Mourot, Christian Laborie, Michaël Rolland, Pierre Rougerie | F Minor | 4 | 4A | 127 BPM | ||
| Lagniappe | Milton Babbitt, Robert Taub | B♭ Major | 1 | 6B | 132 BPM | ||
| Études, Book 1: No. 2, Cordes à vide | György Ligeti, Pierre-Laurent Aimard | D♭ Minor | 0 | 12A | 135 BPM | ||
| Bene Feast | Estoria | D♭ Major | 1 | 3B | 110 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 2 | John Cage, Boris Berman | D♭ Major | 2 | 3B | 123 BPM | ||
| The Unanswered Question | Charles Ives, Cincinnati Philharmonia Orchestra, Gerhard Samuel | C Major | 0 | 8B | 68 BPM | ||
| For Bunita Marcus: Mm. 1270-1372 | Morton Feldman, Aki Takahashi | D Major | 0 | 10B | 60 BPM | ||
| Fall of the Leaf: II. Vivace | Imogen Holst, Thomas Hewitt Jones | F Major | 1 | 7B | 142 BPM | ||
| Pierrot Lunaire, Op. 21, Pt. 1: VII. Der Kranke Mond | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | F Minor | 0 | 4A | 74 BPM | ||
| III. Allegro comodo — Allegro deciso | Allan Pettersson, Christian Lindberg, Norrköping Symphony Orchestra | D♭ Major | 2 | 3B | 93 BPM | ||
| 12 Nocturnes: No. 10, 304 Sterne in einem kleinen Fenster | Bent Sørensen, Katrine Gislinge | D♭ Major | 1 | 3B | 110 BPM | ||
| A Sutured World: I. Take This Broken Wing... - Live | Liza Lim, Bavarian Radio Symphony Orchestra, Nicolas Altstaedt, Edward Gardner | D Major | 2 | 10B | 104 BPM | ||
| Cello Sonata: II. Capriccio | György Ligeti, Miklós Perényi | G Major | 2 | 9B | 132 BPM | ||
| Three Piano Pieces, Op. 11: Massig | Arnold Schoenberg, Paul Jacobs | A Major | 0 | 11B | 144 BPM | ||
| Delusion of the Fury: Exordium: The Beginning of a Web | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | B♭ Major | 3 | 6B | 72 BPM | ||
| Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 6 | John Cage, Boris Berman | E Minor | 0 | 9A | 127 BPM | ||
| Symphonie pour un homme seul: Erotica | Pierre Henry, Pierre Schaeffer | B Minor | 9 | 10A | 89 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| 7 Haikus: III. Poco andante | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | A♭ Major | 0 | 4B | 86 BPM | ||
| Rothko Chapel 5 | Morton Feldman | A Minor | 0 | 8A | 69 BPM | ||
| Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
| Petals | Kaija Saariaho, Anssi Kartunnen | G Major | 3 | 9B | 100 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| My Ends Are My Beginnings: III. — | Milton Babbitt, Allen Blustine | C Major | 0 | 8B | 69 BPM |