Anzen Chitai's ' "夢の都" was released on its scheduled release date, 1990. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. 夢の都's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 安全地帯Ⅶ~夢の都, so we believe that "夢の都" is a single. 夢の都 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 夢の都 by Anzen Chitai is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 春雨 | Kozo Murashita | A♭ Major | 6 | 4B | 96 BPM | ||
| LOVE (抱きしめたい) | Kenji Sawada | F Minor | 3 | 4A | 136 BPM | ||
| 月あかり | Kozo Murashita | A Minor | 5 | 8A | 88 BPM | ||
| マイ・ラグジュアリー・ナイト(オーケストラアレンジ) | Takao Kisugi | C Major | 2 | 8B | 132 BPM | ||
| 駅 - Live | Mariya Takeuchi | D♭ Minor | 7 | 12A | 96 BPM | ||
| 風は止んだ | Kazumasa Oda | A Major | 4 | 11B | 102 BPM | ||
| ROCKDOM −風に吹かれて− | THE ALFEE | G Major | 8 | 9B | 121 BPM | ||
| 君が輝きつづけるように | JUN SKY WALKER(S) | G Major | 7 | 9B | 120 BPM | ||
| Romantic | ブラック・ビスケッツ | D♭ Major | 8 | 3B | 174 BPM | ||
| 太陽~邂逅編~ | Naotaro Moriyama | A Major | 8 | 11B | 168 BPM | ||
| 戸惑いながら (2019 Remastered) | Maki Ohguro | G Major | 9 | 9B | 120 BPM | ||
| アクアマリンのままでいて 2022 | Carlos Toshiki And Omega Tribe | D Minor | 4 | 7A | 131 BPM | ||
| ORACION ー祈りー | Yuki Saito | C Major | 3 | 8B | 76 BPM | ||
| マンハッタン・キス - 2022 Remaster | Mariya Takeuchi | F Major | 3 | 7B | 73 BPM | ||
| そこからがパラダイス - 2012 Remaster | Masahiro Kuwana | A Minor | 5 | 8A | 132 BPM | ||
| KODO -鼓動- | Yuji Oda | D Major | 8 | 10B | 112 BPM | ||
| 君が通り過ぎたあとに -DON'T PASS ME BY- | THE ALFEE | C Major | 3 | 8B | 81 BPM | ||
| 雨のち晴れ | Anzen Chitai | C Major | 8 | 8B | 165 BPM | ||
| 好きだ | 杉本ラララ | G Major | 4 | 9B | 120 BPM | ||
| BLUE LETTER - Live at NHK HALL, 2001 | Kai Band | E Major | 9 | 12B | 132 BPM | ||
| 恋の予感 | Anzen Chitai | B♭ Minor | 4 | 3A | 114 BPM | ||
| I'll Be Good To You | Yuko Hara | A Major | 6 | 11B | 140 BPM | ||
| 太陽の破片 (THE DAY LIVE) | Yutaka Ozaki | E♭ Major | 3 | 5B | 136 BPM | ||
| オリビアを聴きながら | Anri | G Major | 2 | 9B | 67 BPM | ||
| 君だけを見ていた - 2021 version | To Be Continued | F Major | 7 | 7B | 76 BPM |