On February 9, 2005, the song "Shankar Damroo Waale" was released by Saleem. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Saleem's "Jai Shiv Shankar" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. Shankar Damroo Waale is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Shankar Damroo Waale by Saleem to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pulsia Yaara | Jashandeep, Parveen Bharta | D♭ Minor | 9 | 12A | 160 BPM | ||
| Aaja Ambe Rani | Harbans Lal Bansi | A♭ Major | 9 | 4B | 148 BPM | ||
| Tere Bina Reh Ni Sakdi | Dharampreet | F Minor | 6 | 4A | 127 BPM | ||
| Kyon Pardes Ni Wasaye | Ahmed Nawaz Cheena | B Minor | 10 | 10A | 93 BPM | ||
| Rehmta Maa Teriyan | Feroz Khan | A♭ Major | 8 | 4B | 90 BPM | ||
| Tutte Dil Kujh Bol Ni Sakde | Dharampreet | B♭ Minor | 7 | 3A | 139 BPM | ||
| Karak Kalka Mata Ki | Kumar Ravi | A Major | 9 | 11B | 95 BPM | ||
| Ishq - Ishq | Harbhajan Mann | A♭ Major | 7 | 4B | 142 BPM | ||
| Jag Daatiye | Saleem | E Minor | 8 | 9A | 100 BPM | ||
| Balocha Zalaman | Shafa Ullah Khan Rokhri | C Major | 7 | 8B | 172 BPM | ||
| Kise De Naal Hor Na Karin | Labh Heera | B Minor | 8 | 10A | 72 BPM | ||
| Chalakiyan | Amrita Virk | C Major | 7 | 8B | 180 BPM | ||
| Chal Chaliye | Harjit Sidhu, Gurlez Akhtar | A♭ Major | 8 | 4B | 114 BPM | ||
| Ik Pegg Ehdey Vichon La | Major Rajasthani, Surpreet Soni | B Minor | 7 | 10A | 118 BPM | ||
| Akhiyan Chon Khoon Dulda | Maratab Ali | E♭ Major | 6 | 5B | 84 BPM | ||
| Kehre Darzi Tun Suit | Wajid Ali Baghdadi, Nooran Lal | A♭ Major | 8 | 4B | 114 BPM | ||
| Tere Sohne Mandran Nu | Satwinder Bugga | D♭ Major | 9 | 3B | 114 BPM | ||
| We Dhola Nikra Nikra | Ahmed Nawaz Cheena | B♭ Minor | 6 | 3A | 186 BPM | ||
| Jithe Marji Jah | Gurbaksh Shonki | D♭ Major | 8 | 3B | 75 BPM | ||
| Tere Sare Khat | Harbhajan Mann | A Major | 6 | 11B | 80 BPM | ||
| Mukhde Di Lali | Hardev Mahinangal, Anita Samana | F♯ Major | 8 | 2B | 172 BPM | ||
| Peeno Nahin Hatda | Amrita Virk | G Major | 8 | 9B | 168 BPM | ||
| Tu Daati Asin Mangte Tere | Gurdas Maan | E Major | 7 | 12B | 114 BPM | ||
| Nain Reesan Sanwal Yaar Diyan | Ahmed Nawaz Cheena | F Minor | 7 | 4A | 81 BPM | ||
| Jaikara Ponahari Da | Roshan Prince | G Major | 9 | 9B | 91 BPM |