"Opening" by Gustavo Santaolalla had its release date on January 1, 2006. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 18 in Brokeback Mountain Soundtrack by Various Artists. Opening is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Opening by Gustavo Santaolalla is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mia & Sebastian’s Theme (Celesta) | Justin Hurwitz | F Major | 1 | 7B | 100 BPM | ||
| Montage from Twin Peaks | Angelo Badalamenti | F Major | 2 | 7B | 71 BPM | ||
| Specks Of Time | Son Lux | B Minor | 1 | 10A | 77 BPM | ||
| Cabalgando | Gustavo Santaolalla, Don Markese, Braulio Barrera, Javier Casalla, Anibal Kerpel | E Major | 7 | 12B | 140 BPM | ||
| Madame Olenska | Elmer Bernstein | C Minor | 2 | 5A | 87 BPM | ||
| This Is How I Fight | Son Lux | A Minor | 3 | 8A | 96 BPM | ||
| Oscar in Love | Johan Söderqvist | D Minor | 1 | 7A | 76 BPM | ||
| The Red Room - From "Close" Original Motion Picture Soundtrack | Valentin Hadjadj | C Minor | 1 | 5A | 83 BPM | ||
| Cloud Atlas Finale | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 2 | 8B | 97 BPM | ||
| Goodbye to Hawk | Ryuichi Sakamoto | E Minor | 0 | 9A | 61 BPM | ||
| The Edge Of Love: Fire To The Stars - From "The Edge Of Love" | Angelo Badalamenti | A♭ Minor | 1 | 1A | 116 BPM | ||
| George's Waltz | Shigeru Umebayashi | D Minor | 2 | 7A | 133 BPM | ||
| Time & Life | Theodore Shapiro, José González, Mark Graham | D Major | 1 | 10B | 177 BPM | ||
| Brandon | Harry Escott | G Minor | 1 | 6A | 120 BPM | ||
| The Revenant Theme (Alva Noto Remodel) | Ryuichi Sakamoto, alva noto | D Major | 1 | 10B | 86 BPM | ||
| Our Love | Emile Mosseri | E♭ Major | 1 | 5B | 76 BPM | ||
| Romance Suite (From the Motion Picture "Promising Young Woman") | Anthony Willis | E Major | 1 | 12B | 70 BPM | ||
| Other Paths Not Explored | Trent Reznor and Atticus Ross | F Major | 1 | 7B | 89 BPM | ||
| I Drive | Cliff Martinez | C Major | 1 | 8B | 78 BPM | ||
| He Really Needs Me | Punch-Drunk Love | E Major | 1 | 12B | 84 BPM | ||
| Cloud Atlas End Title | Tom Tykwer, Johnny Klimek, Reinhold Heil, Gene Pritsker | C Major | 2 | 8B | 83 BPM | ||
| Morning Talk / Supersymmetry | Arcade Fire, Owen Pallett | A♭ Major | 2 | 4B | 70 BPM | ||
| The Politics of Orgasm | Roger Neill | D Major | 1 | 10B | 61 BPM | ||
| Choosing Life | Philip Glass | B♭ Major | 0 | 6B | 88 BPM | ||
| Oh My Lovely | Daniel Lanois | G Major | 1 | 9B | 106 BPM |