- BPM
- 130
- Key
- D Minor
- Camelot
- 7A
4 Motetten, Op. 133: II. Meditabor by Josef Rheinberger, Vocalensemble Rastatt, Holger Speck Song Details
"4 Motetten, Op. 133: II. Meditabor" by Josef Rheinberger, Vocalensemble Rastatt, Holger Speck had its release date on February 1, 2003. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Josef Rheinberger, Vocalensemble Rastatt, Holger Speck's "Josef Gabriel Rheinberger: Christus factus est (Musica sacra VII)" album is number 22 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 4 Motetten, Op. 133: II. Meditabor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of 4 Motetten, Op. 133: II. Meditabor by Josef Rheinberger, Vocalensemble Rastatt, Holger Speck to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -27.547 dB
- Acousticness
- 99%
- Danceability
- 17%
- Energy
- 4%
- Instrumentalness
- 14%
- Liveness
- 10%
- Loudness
- 54%
- Speechiness
- 5%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Kantos Chamber Choir, Ellie Slorach | F Minor | 0 | 4A | 140 BPM | |
 | Illumina le tenebre | Joan Szymko, Oregon Repertory Singers, Ethan Sperry | A Major | 0 | 11B | 70 BPM | |
 | Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM | |
 | 6 Gesange, Op. 131: No. 3, Die Gebirgsbach | Josef Rheinberger, Estelí Gomez, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie | A Major | 1 | 11B | 73 BPM | |
 | O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | |
 | Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | |
 | Liturgical Chants: Ave Maria | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | B Minor | 0 | 10A | 127 BPM | |
 | Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | |
 | Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | |
 | Aaria, Sairasten Parantaja (Myrskyn Keskellä) | Sirkka Rautakoski | C Minor | 1 | 5A | 76 BPM | |
 | Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | |
 | Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | |
 | Otcenáš (Our Father), JW IV/29: Bud vule tvá (Thy will be done) (Revised 1906) | Leoš Janáček, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton, Johannes Wik, Karstein Askeland, Gábor Bretz, Thomas Trotter, Bergen Philharmonic Choir | F Major | 1 | 7B | 80 BPM | |
 | 3 Sacred Hymns: 2. Lord Jesus | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | A♭ Major | 3 | 4B | 107 BPM | |
 | The Call of Wisdom | Will Todd, The Choir Of St John's College, Oxford, Flora Sheldon, David Bannister | D Major | 0 | 10B | 121 BPM | |
 | Veni, veni Emmanuel | Zoltán Kodály, Aquarius | F Minor | 1 | 4A | 77 BPM | |
| 6 Gesange, Op. 131: No. 1, Ein Bild am Pfade | Josef Rheinberger, Estelí Gomez, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie | A Major | 1 | 11B | 73 BPM | |
 | O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM | |
 | Mass of the Americas: V. Sanctus - Benedictus | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | |
 | Adoramus Te, Christe | The Wartburg Choir, Dr. Lee Nelson | E Major | 0 | 12B | 131 BPM | |
 | Mass in E-Flat Major, Op. 109 "Cantus Missae": I. Kyrie | Josef Rheinberger, Westminster Cathedral Choir, Martin Baker | E♭ Major | 2 | 5B | 131 BPM | |
 | Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM | |
 | The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A Major | 1 | 11B | 73 BPM | |
 | Missa Tempore Quadragesimae, MH 553: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | |
 | Abendlied Op. 693 | Calmus Ensemble | E♭ Major | 1 | 5B | 80 BPM |
- ISRC
- DEB110300122
- Label
- L-M Records/RCA Records