Eight To The Bar's ' "I Like The Afternoon" was released on its scheduled release date, December 20, 2007. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 12 in Calling All Ickeroos! by Eight To The Bar. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, I Like The Afternoon's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of I Like The Afternoon by Eight To The Bar is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swing Brother Swing | Casey MacGill & the Spirits of Rhythm | A Minor | 7 | 8A | 115 BPM | ||
| For Dancers Only | The Solomon Douglas Swingtet | F Minor | 5 | 4A | 160 BPM | ||
| Free Eats | Girls from Mars | F Major | 3 | 7B | 139 BPM | ||
| Love Me Or Leave Me | Boilermaker Jazz Band, Jennie Luvv | D Minor | 4 | 7A | 131 BPM | ||
| Reelin' & Rockin' | Blue Harlem | G Major | 8 | 9B | 165 BPM | ||
| Give It Up | Ray Collins' Hot Club | D Major | 6 | 10B | 92 BPM | ||
| Breathe Easy | Tia Brazda | A Minor | 6 | 8A | 146 BPM | ||
| King of Jive | The Jive Aces, Toni Elizabeth Prima | C Major | 7 | 8B | 157 BPM | ||
| I Like Pie I Like Cake | The Club Swing Band | C Major | 4 | 8B | 180 BPM | ||
| Fools Are Getting Scarcer | Alpha Rhythm Kings | F Minor | 6 | 4A | 183 BPM | ||
| Oo Ee Baby | Mojo Blues Band | C Major | 5 | 8B | 129 BPM | ||
| Some Of These Days | Norbert Susemihl, Jason Marsalis, Erika Lewis, Shaye Cohn | C Major | 4 | 8B | 210 BPM | ||
| Honeydrippin' Baby | Johnny Nicholas | D Major | 7 | 10B | 114 BPM | ||
| Betcha Nickel | Mint Julep Jazz Band | D Minor | 4 | 7A | 159 BPM | ||
| Mildred, Won't You Behave? (Live) | Bill Elliott Swing Orchestra | E♭ Major | 3 | 5B | 143 BPM | ||
| That's Where My Money Goes | Indigo Swing | B♭ Major | 4 | 6B | 93 BPM | ||
| Big Fine Daddy | Lavay Smith & Her Red Hot Skillet Lickers | E♭ Major | 4 | 5B | 122 BPM | ||
| Where's My Gravy | Steve Lucky & The Rhumba Bums | G Major | 4 | 9B | 183 BPM | ||
| Boogie Woogie Stomp | Rob Rio | C Major | 5 | 8B | 109 BPM | ||
| Five O'clock Coffee | The Hot Toddies Jazz Band, Gabe Terracciano, Gordon Webster, Hannah Gill, Queen Esther, Ron Wilkins | F Major | 5 | 7B | 98 BPM | ||
| When You're Smiling | The Blue Vipers Of Brooklyn | C Minor | 5 | 5A | 107 BPM | ||
| Cutting Out | Ray Collins' Hot Club | E Minor | 5 | 9A | 145 BPM | ||
| Nagasaki | Eight To The Bar | A Major | 6 | 11B | 142 BPM | ||
| Midnight Drift Mode | oAo ~ Penguin Jazz ~ | G Minor | 7 | 6A | 161 BPM | ||
| Streamliner | Bill Elliott Swing Orchestra | E♭ Minor | 4 | 2A | 150 BPM |