"Choro al viento" by Pancho Ragonese, Sebastian Macchi, Juan Iñaki, Fernando Silva, Ana Archetti, Alan Plachta had its release date on February 19, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pancho Ragonese's "Mosaico" album is number 5 out of 14. On top of that, Italy appears to be the country where this track was created. Choro al viento is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Choro al viento by Pancho Ragonese, Sebastian Macchi, Juan Iñaki, Fernando Silva, Ana Archetti, Alan Plachta to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Infinite Echoes | Astrid Voix | C Major | 0 | 8B | 138 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | C Major | 0 | 8B | 138 BPM | ||
| Cello Sonata in E Major, Op. 121: I. Allegro espressivo e appassionato | Ignaz Moscheles, Steven Isserlis, Connie Shih | C Major | 0 | 8B | 138 BPM | ||
| Liederbuch, Vol. 2 (Arr. for Double Bass and Piano by Lorraine Campet): No. 5, Wie glänzt so hell dein Auge | Josephine Lang, Lorraine Campet, Nathanaël Gouin | E Major | 0 | 12B | 69 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | C Major | 0 | 8B | 138 BPM | ||
| Enescu: String Octet in C Major, Op. 7: IV. Mouvement de valse bien rythmée | George Enescu, Quatuor Ébène, Belcea Quartet | C Major | 0 | 8B | 138 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | C Major | 0 | 8B | 138 BPM | ||
| Troisième leçon de ténèbres à deux voix: Lamed (Arr. for Cello and Electric Guitar by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | C Major | 0 | 8B | 138 BPM | ||
| Ligeti | Johanna Summer | A Minor | 4 | 8A | 97 BPM | ||
| 18 Miniatures for Violin & Piano: No. 18, Dolce | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | N/A | N/A | N/A | 0 BPM | ||
| Eccles: Sonata in G Minor: III. Adagio | Mark Morton | G Minor | 0 | 6A | 140 BPM | ||
| 'Greetings', Miniaturas para Piano: 2 Palabras: 'Siempre Adelante' | Ana Vázquez Silva, Irene Cantos | D♭ Major | 1 | 3B | 92 BPM | ||
| 24 Preludes and Fugues Op. 87: No. 2, in A Minor: Fugue | Dmitri Shostakovich, Yulianna Avdeeva | A Minor | 3 | 8A | 121 BPM | ||
| 3 Pieces for Piano: No. 2, Caminos del Espejo | Graciela Jiménez, Dora De Marinis | A Major | 0 | 11B | 74 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | C Major | 0 | 8B | 138 BPM | ||
| Cello Sonata, FP 143: I. Allegro. Tempo di marcia | Francis Poulenc, Lidy Blijdorp, Pascal Rogé | C Major | 0 | 8B | 138 BPM | ||
| Trois pièces pour violoncelle et piano: No. 2, Sans vitesse et à l'aise | Nadia Boulanger, Lidy Blijdorp, Tobias Borsboom | C Major | 0 | 8B | 138 BPM | ||
| Enescu: String Octet in C Major, Op. 7: III. Lentement | George Enescu, Quatuor Ébène, Belcea Quartet | C Major | 0 | 8B | 138 BPM | ||
| Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| 24 Preludes and Fugues, Op. 87: Fugue No. 4 in E Minor: Adagio | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM | ||
| Void Pulse | Astrid Voix | C Major | 0 | 8B | 138 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | C Major | 0 | 8B | 138 BPM | ||
| Reflection, Op. 31a | Oliver Knussen, Tamsin Waley-Cohen, Huw Watkins | C Major | 0 | 8B | 138 BPM |