Quarterflash's ' "Night Shift - Night Shift/Soundtrack Version" was released on its scheduled release date, January 1, 1997. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Quarterflash's "Harden My Heart: The Best Of Quarterflash" album is number 7 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Night Shift - Night Shift/Soundtrack Version's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Night Shift - Night Shift/Soundtrack Version by Quarterflash to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Winning the War | 'Til Tuesday | B Minor | 7 | 10A | 119 BPM | ||
| Secret Separation | The Fixx | A Major | 8 | 11B | 110 BPM | ||
| Dead Giveaway | Shalamar | C Major | 9 | 8B | 149 BPM | ||
| Goodbye Is Forever - 2010 Remaster | Arcadia | C Major | 6 | 8B | 103 BPM | ||
| You Know the Rest | 'Til Tuesday | E♭ Minor | 5 | 2A | 129 BPM | ||
| One Kiss Away | Loz Netto | G Minor | 8 | 6A | 97 BPM | ||
| Long Gone (Buddy) | 'Til Tuesday | F♯ Minor | 7 | 11A | 176 BPM | ||
| It Ain't None Of Your Business | Missing Persons | D♭ Minor | 9 | 12A | 144 BPM | ||
| A Girl in Trouble (Is a Temporary Thing) | Romeo Void | C Minor | 7 | 5A | 131 BPM | ||
| It Don't Move Me | Quarterflash | A♭ Major | 6 | 4B | 108 BPM | ||
| You Can't Make Love - Remastered 2024 | Don Henley | A Major | 6 | 11B | 108 BPM | ||
| Little Robbers | The Motels | D Major | 8 | 10B | 113 BPM | ||
| Don't Shed a Tear | Paul Carrack | G Major | 6 | 9B | 105 BPM | ||
| Darlin' | Frank Stallone | C Major | 7 | 8B | 123 BPM | ||
| The Night Was Not | Desmond Child, Rouge | D♭ Major | 9 | 3B | 141 BPM | ||
| Go Insane | Lindsey Buckingham | F Minor | 7 | 4A | 111 BPM | ||
| Still in Love | Taxxi | D♭ Major | 7 | 3B | 129 BPM | ||
| Feel It Again | Honeymoon Suite | B♭ Major | 6 | 6B | 122 BPM | ||
| Can't Shake Loose | Agnetha Fältskog | A Minor | 5 | 8A | 125 BPM | ||
| Less Than Half (feat. Patty Smyth) | Scandal, Patty Smyth | A Major | 5 | 11B | 97 BPM | ||
| Looking Over My Shoulder | 'Til Tuesday | C Major | 7 | 8B | 120 BPM | ||
| This Could Be the Night | Loverboy | F♯ Major | 9 | 2B | 118 BPM | ||
| Savannah Nights | Tom Johnston | D♭ Minor | 7 | 12A | 118 BPM | ||
| You Belong To The City | Glenn Frey | E Minor | 7 | 9A | 109 BPM | ||
| I Want You Tonight | Pablo Cruise | G Major | 7 | 9B | 123 BPM |