Gil Scott-Heron's ' "Billy Green Is Dead - Alternative Version" was released on its scheduled release date, January 1, 1972. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 23 in Free Will by Gil Scott-Heron. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Billy Green Is Dead - Alternative Version is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Billy Green Is Dead - Alternative Version by Gil Scott-Heron is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Express Yourself | Charles Wright & The Watts 103rd Street Rhythm Band | A♭ Major | 7 | 4B | 92 BPM | ||
| I Thought It Was You | Herbie Hancock | D♭ Major | 8 | 3B | 116 BPM | ||
| New York, New York | The Last Poets | D Major | 5 | 10B | 114 BPM | ||
| Promised Heights | Cymande | D Major | 5 | 10B | 100 BPM | ||
| Inspiration Information | Shuggie Otis | G Major | 7 | 9B | 90 BPM | ||
| Niggers Are Scared of Revolution | The Last Poets | E Minor | 7 | 9A | 114 BPM | ||
| Come to Mama | Ann Peebles | A Minor | 6 | 8A | 103 BPM | ||
| Alien (Hold On To Your Dreams) | Gil Scott-Heron | E Minor | 3 | 9A | 105 BPM | ||
| Don't Do It | Syl Johnson | B Minor | 4 | 10A | 94 BPM | ||
| Words to My Song | Dry Bread | D♭ Minor | 9 | 12A | 93 BPM | ||
| Purple | Shuggie Otis | F Minor | 5 | 4A | 166 BPM | ||
| Mercy, Mercy, Mercy | Cannonball Adderley | B♭ Major | 5 | 6B | 85 BPM | ||
| Turiya & Ramakrishna | Alice Coltrane | F♯ Major | 3 | 2B | 110 BPM | ||
| Me And My Woman | Shuggie Otis | A♭ Major | 7 | 4B | 169 BPM | ||
| I've Had A Little Talk | Horace Silver | F♯ Major | 8 | 2B | 123 BPM | ||
| Bra | Cymande | A Major | 2 | 11B | 112 BPM | ||
| Blow Your Head | Fred Wesley & The J.B.'s | A Minor | 9 | 8A | 121 BPM | ||
| Benjamin | Les McCann | C Minor | 3 | 5A | 177 BPM | ||
| Music Is My Sanctuary | Gary Bartz | B Minor | 8 | 10A | 110 BPM | ||
| You Can Have Watergate Just Gimme Some Bucks And l'll Be Straight | The J.B.'s | B♭ Minor | 5 | 3A | 98 BPM | ||
| The Lord Is Back | Eugene McDaniels | B♭ Minor | 8 | 3A | 100 BPM | ||
| The Bronx | Booker T. Jones, Lou Reed | B Minor | 4 | 10A | 81 BPM | ||
| The Human Abstract | David Axelrod | A Minor | 3 | 8A | 78 BPM | ||
| I'll Never Sail The Sea Again | Detroit Emeralds | B Major | 4 | 1B | 102 BPM | ||
| I'll Bet You | Funkadelic | B♭ Major | 7 | 6B | 183 BPM |