"Suite compostelana: IV. Recitativo" by Federico Mompou, Andrés Segovia had its release date on September 2, 2016. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Suite compostelana: IV. Recitativo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Art of Andrés Segovia, Vol. 8". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Italy. Suite compostelana: IV. Recitativo is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite compostelana: IV. Recitativo by Federico Mompou, Andrés Segovia having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quilter: 3 Songs, Op. 3: No. 2, Now Sleeps the Crimson Petal (Arr. Hough for Piano) | Roger Quilter, Stephen Hough | F♯ Major | 0 | 2B | 131 BPM | ||
| Sheller: La Bavaroise | Alexandre Tharaud | B♭ Minor | 2 | 3A | 133 BPM | ||
| Sunset | Lionel Tertis, Timothy Ridout, Frank Dupree | C Major | 0 | 8B | 78 BPM | ||
| IN THE BEGINNING WAS / Francesco Tristano: In The Beginning Was | Francesco Tristano, Alice Sara Ott | C Minor | 1 | 5A | 100 BPM | ||
| Les tendres plaintes—Rondeau, RCT 3/1 - Recording 2021 | Jean-Philippe Rameau, Bruce Liu | D♭ Major | 2 | 3B | 77 BPM | ||
| An Idea: An Idea | Leo Brouwer, Zsófia Boros | E Minor | 0 | 9A | 71 BPM | ||
| 3 Nocturnes for Cello and Guitar: Nocturne No. 2 in F Major - Adagio cantabile | Franz Burgmüller, Anja Lechner, Pablo Marquez | F Major | 0 | 7B | 123 BPM | ||
| Forgotten Dances: No. 4, Barcarolle - The Maiden Voyage | Thomas Adès, Sean Shibe | F Major | 0 | 7B | 67 BPM | ||
| Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 102 BPM | ||
| Nocturne No. 17 in C Major, H.61 | John Field, Elizabeth Joy Roe | C Major | 1 | 8B | 95 BPM | ||
| Chansons grises: V. L'heure exquise (Arr. for Piano by William Youn) | Reynaldo Hahn, William Youn | F Minor | 1 | 4A | 127 BPM | ||
| Dolly Suite, Op. 56: III. Le Jardin de Dolly | Gabriel Fauré, Katia Labèque, Marielle Labèque | D♭ Minor | 0 | 12A | 60 BPM | ||
| 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM | ||
| Au Matin, Op. 83 - Duo-Art 56847 | Benjamin Godard, Peter Phillips, Clarence Adler | B♭ Minor | 1 | 3A | 69 BPM | ||
| Debussy: Petite suite, CD 71, L. 65: I. En bateau (Live) | Martha Argerich, Cristina Marton | G Major | 0 | 9B | 72 BPM | ||
| Miniatures for Piano "A Whole in Twelve": No. 2, The Lady Plays | Mikael Ayrapetyan | D♭ Major | 0 | 3B | 76 BPM | ||
| Romance sans Paroles - Bonus Track | Felix Godefroid, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
| 5 Lieder, Op. 48, TrV 202: No. 1, Freundliche Vision (Arr. Gieseking) | Richard Strauss, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
| Erinnerung, Op. 24 | Dora Pejačević, Ivana Gavrić | D♭ Major | 0 | 3B | 64 BPM | ||
| An die Musik, D. 547 (Arr. Moore) | Franz Schubert, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
| Nocturne No. 3 in A Flat Major, H.26 | John Field, Elizabeth Joy Roe | A♭ Major | 0 | 4B | 73 BPM | ||
| Goyescas (Suite), No.4: Quejas (o la maja y el ruiseñor) | Enrique Granados, Andrés Navarro | B Minor | 0 | 10A | 61 BPM | ||
| It's Not All Bad, After All | Peter Breiner | A Minor | 0 | 8A | 83 BPM | ||
| 3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | E♭ Major | 0 | 5B | 99 BPM | ||
| Wiegenlied, S. 198 | Franz Liszt, Khatia Buniatishvili | A Minor | 0 | 8A | 67 BPM |