"Fromage" by Brian Reitzell had its release date on August 5, 2014. This song is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The track order of this song in Brian Reitzell's "Hannibal Season 1 Volume 2 (Original Television Soundtrack)" album is number 1 out of 6. On top of that, United States appears to be the country where this track was created. The popularity of Fromage is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fromage by Brian Reitzell to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arise | Rob | C Minor | 2 | 5A | 128 BPM | ||
| 3.1_3-nicetomeetyou.omg | Mac Quayle | C Minor | 0 | 5A | 126 BPM | ||
| Love Crime - Amuse-Bouche Version | Siouxsie | F Minor | 4 | 4A | 147 BPM | ||
| Out of Time | Brian Reitzell | F Minor | 5 | 4A | 186 BPM | ||
| Creepy Caller | Brian Reitzell | A♭ Major | 1 | 4B | 75 BPM | ||
| Come Back to Me | Roque Baños | B♭ Major | 0 | 6B | 96 BPM | ||
| Infinite Horizons | Daniel de la Rosa Oliva, Alberto Caracciolo, Amadea Music Productions | B Minor | 2 | 10A | 86 BPM | ||
| Suspects | Ólafur Arnalds | E♭ Minor | 3 | 2A | 145 BPM | ||
| 2.8_2-ph4se.vox | Mac Quayle | B♭ Minor | 2 | 3A | 96 BPM | ||
| Blood Theme For Strings | Daniel Licht | A♭ Minor | 3 | 1A | 90 BPM | ||
| Digestivo Pt. 2 | Brian Reitzell | G Major | 1 | 9B | 75 BPM | ||
| Analog vs Digital | Jed Palmer | A Major | 6 | 11B | 115 BPM | ||
| Apocalpic Wasteland | Paul Leonard-Morgan | E♭ Minor | 6 | 2A | 100 BPM | ||
| Lucille & Showdown | Fernando Velázquez | D♭ Major | 2 | 3B | 80 BPM | ||
| Sorbet | Brian Reitzell | B♭ Major | 1 | 6B | 72 BPM | ||
| Midnight Special Theme | David Wingo | C Major | 1 | 8B | 100 BPM | ||
| The Watchtower | Ben Salisbury, Geoff Barrow | D Minor | 0 | 7A | 141 BPM | ||
| Evey Reborn | Dario Marianelli | F Minor | 1 | 4A | 80 BPM | ||
| Blood Box | Lovett | B Major | 4 | 1B | 111 BPM | ||
| Credits | Fernando Velázquez | C Minor | 2 | 5A | 85 BPM | ||
| Time Is Unity | Éric Serra | A♭ Minor | 1 | 1A | 134 BPM | ||
| The Burial | Brooke Blair, Will Blair | A Minor | 3 | 8A | 82 BPM | ||
| Bilquis Orgy | Brian Reitzell | C Major | 7 | 8B | 113 BPM | ||
| Opening Bridge | Asche & Spencer | D♭ Minor | 2 | 12A | 84 BPM | ||
| The Cross | Olivier Deriviere | G Major | 1 | 9B | 102 BPM |