Susan Reed's ' "Zelime" was released on its scheduled release date, January 1, 2000. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Zelime's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Susan Reed". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Zelime is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Zelime by Susan Reed having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| (i'm)perfectly me | mama nous | A Major | 3 | 11B | 100 BPM | ||
| Don't Be That Way (1938) - Instrumental | Benny Goodman, Edgar Sampson, John Williams, Boston Pops Orchestra | G Major | 5 | 9B | 76 BPM | ||
| Mozart Medley | Wolfgang Amadeus Mozart, RR, Gotham City Philharmonic Orchestra | F Minor | 1 | 4A | 87 BPM | ||
| He's Got the Whole World In His Hands | Jay Stocker | G Major | 7 | 9B | 137 BPM | ||
| Didn't | Ruby Amanfu | G Major | 4 | 9B | 128 BPM | ||
| How | Anthea Anne | E Minor | 3 | 9A | 86 BPM | ||
| Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto) | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | ||
| NATASHA (feat. RR & Lacrim) | L’As, RR, Lacrim | F♯ Minor | 8 | 11A | 143 BPM | ||
| UP UP | Glenn Yong | D Major | 2 | 10B | 130 BPM | ||
| The Curra Road | Zoë Conway, John Mc Intyre | D♭ Major | 0 | 3B | 141 BPM | ||
| Obsession (She bad) | Chyno fresh | C Minor | 7 | 5A | 102 BPM | ||
| Born To Be | N.Flying | G Major | 8 | 9B | 164 BPM | ||
| We're | JOJE | D♭ Minor | 6 | 12A | 176 BPM | ||
| I've Been Working on the Railroad | Pete Seeger | E♭ Major | 1 | 5B | 117 BPM | ||
| Gettin Paid | ILYAA, Aili, Badjack | F♯ Minor | 8 | 11A | 123 BPM | ||
| You Know | RACKZILLI | C Major | 3 | 8B | 111 BPM | ||
| Matthew, Mark, Luke & John | Priscilla Herdman | D♭ Major | 2 | 3B | 83 BPM | ||
| Asleep on the Farm | Ellen Edson | G Major | 2 | 9B | 81 BPM | ||
| The Gypsy Rover | Bill Staines | E♭ Major | 2 | 5B | 122 BPM | ||
| Live | Derivakat | E Minor | 8 | 9A | 164 BPM | ||
| Gonna Be | Lord Lorenz | G Major | 8 | 9B | 148 BPM | ||
| Fallen for You | Styrus Ahmed | F♯ Minor | 1 | 11A | 83 BPM | ||
| I`m not alone | JEONG HYO BEAN | E Major | 5 | 12B | 166 BPM | ||
| Gonna Be | celestial | F♯ Minor | 8 | 11A | 125 BPM | ||
| 恋は月をめざして | Shione Yukawa | D Major | 6 | 10B | 115 BPM |