Bridgewater Breeze: II. — by Adam Gorb, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz Song Details

"Bridgewater Breeze: II. —" by Adam Gorb, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz had its release date on August 7, 2012. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 26 in Distinguished Music for the Developing Wind Band, Vol. 1 by Rutgers Symphonic Band, Rutgers Wind Ensemble, William Berz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Bridgewater Breeze: II. —'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Bridgewater Breeze: II. — by Adam Gorb, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Music Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -17.445 dB
Acousticness: 98%
Danceability: 16%
Energy: 10%
Instrumentalness: 89%
Liveness: 13%
Loudness: 71%
Speechiness: 4%
Valence: 8%

Recommendations

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Galop	US Air Force Band of the Golden Gate, Dmitri Shostakovich, Hunsberger	G Minor	6	6A	88 BPM
Redline Tango	John Mackey, University of Kansas Wind Ensemble, John P. Lynch	D♭ Major	2	3B	128 BPM
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Asphalt Cocktail	John Mackey, Michigan State University Wind Symphony, Kevin L. Sedatole	C Major	6	8B	90 BPM
Rush	Samuel R. Hazo, University of Saskatchewan - Wind Orchestra	F Major	4	7B	154 BPM
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New England Triptych: Chester Overture	William Schuman, United States Air Force Band, Arnald D. Gabriel	A♭ Major	2	4B	74 BPM
Black Granite	US Continental Army Band	D♭ Major	2	3B	113 BPM
Vesuvius	Frank Ticheli, Michigan State University Wind Symphony, John Whitwell	C Major	1	8B	79 BPM
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Blue Shades	Frank Ticheli, North Texas Wind Symphony, Eugene Migliaro Corporon	C Minor	2	5A	82 BPM
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Call of the Cossacks: III. Cossack Fire Dance	Peter Graham, New York Staff Band	B♭ Minor	4	3A	167 BPM
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Symphonic Dances for Wind Orchestra: Tango	Yosuke Fukuda, Luftwaffenmusikkops Erfurt, OTL Burkard Zenglein	G Minor	1	6A	122 BPM
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March, "The Circus Bee"	US Marine Band	D♭ Major	5	3B	163 BPM
Fanfare & Flourishes	The Rolls Royce Coventry Brass Band	B♭ Major	4	6B	103 BPM
Pas Redouble	US Navy Band	B♭ Major	5	6B	160 BPM
Concerto for Wind Ensemble: II. Riff	Kevin Day, ASU Wind Ensemble, Jason Caslor	G Minor	5	6A	75 BPM
T-bone Concerto: III. Well Done	Johan de Meij, N/A, Christian Lindberg, Heinz Friesen, Symphonic Wind Orchestra Harmonie St. Michaël Thorn	C Major	3	8B	123 BPM