"レヴェランス オリジナル - 4/4 8×4" by 滝澤 志野 had its release date on March 25, 2018. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in ドラマティック・ミュージック・フォー・バレエクラス2, so we believe that "レヴェランス オリジナル - 4/4 8×4" is a single. Based on our statistics, レヴェランス オリジナル - 4/4 8×4's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of レヴェランス オリジナル - 4/4 8×4 by 滝澤 志野 is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Air De Ballet. Op. 37, No. 4 from "Callirhoe" Ballet - Duo-Art 71978 | Cécile Chaminade, Robert Armbruster, Peter Phillips | G Major | 1 | 9B | 82 BPM | ||
| Dramatic Adagio | Sissonne Music | G Major | 3 | 9B | 129 BPM | ||
| Plies and Balance - Heading for the Ocean | Nolwenn Collet | D Major | 1 | 10B | 88 BPM | ||
| Pliés | 최선경 | G Major | 2 | 9B | 112 BPM | ||
| Hungarian Rhapsody No.6 - Duo-Art 5617 | Franz Liszt, Michael von Zadora, Peter Phillips | C Major | 2 | 8B | 118 BPM | ||
| FRAPPÉ ~Tea for Two~ - 4/4 8×4+16 | Shino Takizawa | D♭ Major | 2 | 3B | 81 BPM | ||
| Aires de la Pampa, op. 63: Arrastrando el Ala - Remasterizado | Adrián Romero | D Minor | 2 | 7A | 174 BPM | ||
| Stretch 3/4 64 Counts | Marina Stolyar | E Major | 1 | 12B | 81 BPM | ||
| Battement Tendu 3/4 (Valse Op. Posth. 69 n°1) | The Ballet Pianist | B♭ Minor | 2 | 3A | 81 BPM | ||
| Warm Up 4/4 (Intermezzo Op.76 n°7) | The Ballet Pianist | A Minor | 1 | 8A | 70 BPM | ||
| Battements Tendus 4/4 8×4 | Galina Bezuglaya | E Major | 0 | 12B | 63 BPM | ||
| Adagio la Bayadère act 1 | Sissonne Music | B♭ Major | 1 | 6B | 119 BPM | ||
| Road Cafe | Sunday Piano | F Major | 0 | 7B | 74 BPM | ||
| stung | emcee, emcee piano | C Major | 2 | 8B | 118 BPM | ||
| Barre: Développés | Nolwenn Collet | G Major | 2 | 9B | 134 BPM | ||
| PIROUETTE 2 ~one spring day~ - 3/4 8×8 | Shino Takizawa | D♭ Major | 2 | 3B | 81 BPM | ||
| Swipesy Cakewalk (Allegro 1) | Scott Joplin, 이정림(lee junglim) | D♭ Major | 0 | 3B | 67 BPM | ||
| Ain't No Distractions | Hugo Focus, Shusuke Inari | F Minor | 2 | 4A | 126 BPM | ||
| D' Habite Nours Merons | Maurice Dehors | A Minor | 2 | 8A | 100 BPM | ||
| Rond de jamb a´terre in C-Minor | Konstantin Mortensen | C Major | 1 | 8B | 116 BPM | ||
| Adage 1 centre in G-Major, ballet "La Péri", Act 1, No.5, Andantino | Paul Dukas, Konstantin Mortensen | G Major | 1 | 9B | 100 BPM | ||
| Battement tendu & jeté (Sleeping Beauty) | Ji Hyun Kim | C Major | 2 | 8B | 77 BPM | ||
| Valse Mignonne, Op. 126 No.12 | Cécile Chaminade, Anna Miernik | F Major | 2 | 7B | 103 BPM | ||
| Bread Und Marmelade | Kronberry | C Major | 0 | 8B | 109 BPM | ||
| Tendu Plie (Theme & Variations) | David Howard, Mark Jelks | C Major | 3 | 8B | 124 BPM |