"MUSIC FOR SAUNA WHISK Section 5" by Kengo Tokusashi had its release date on July 22, 2020. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Kengo Tokusashi's "MUSIC FOR SAUNA WHISK" album is number 5 out of 9. On top of that, Japan appears to be the country where this track was created. In terms of popularity, MUSIC FOR SAUNA WHISK Section 5 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of MUSIC FOR SAUNA WHISK Section 5 by Kengo Tokusashi to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| morning dew | Masafumi Teruyama | E Major | 3 | 12B | 98 BPM | ||
| Leaving home for the fields | Kin Leonn, Hiroshi Ebina | F Major | 1 | 7B | 77 BPM | ||
| meku | 森ゆに, 田辺玄 | D Major | 2 | 10B | 124 BPM | ||
| Common | Hi'Spec | B Major | 0 | 1B | 141 BPM | ||
| The Ambient Archive | Vincenz | B♭ Minor | 2 | 3A | 75 BPM | ||
| 夢遊 | Ironomi | C Major | 0 | 8B | 127 BPM | ||
| Crane 52 | Elephants in a High Tree | C Major | 0 | 8B | 133 BPM | ||
| Komoriuta | Somewhere | E Major | 3 | 12B | 98 BPM | ||
| Sound is desire, not meaning | Akishige Horita | E Major | 3 | 12B | 98 BPM | ||
| Recalibration | Cold Avenue, Concentration Music for Work | A♭ Minor | 0 | 1A | 134 BPM | ||
| 氷のナイフ | 原田萌喜 | D Major | 7 | 10B | 160 BPM | ||
| 水色の幻想 | Junichi Kamiyama | E♭ Major | 0 | 5B | 71 BPM | ||
| Inmersión Eterna | David Peccas | G Major | 1 | 9B | 70 BPM | ||
| ナナが来た | Yojiro Noda | E♭ Major | 1 | 5B | 68 BPM | ||
| 生き神 | Marihiko Hara | A♭ Minor | 1 | 1A | 89 BPM | ||
| KONTAKT | JunoMusik | E Major | 3 | 12B | 98 BPM | ||
| Soft Focus | Shuta Hasunuma | D Major | 0 | 10B | 81 BPM | ||
| Petals falling from a nameless flower | Glöckler | G Minor | 3 | 6A | 106 BPM | ||
| Crane 70 | Elephants in a High Tree | C Major | 0 | 8B | 133 BPM | ||
| Hallucination | Tokyo Psychedelic Orchestra | D♭ Major | 0 | 3B | 135 BPM | ||
| Landscape #I | synfilums, Itoko Toma | C Major | 0 | 8B | 138 BPM | ||
| Matching Keychains | Jun Futamata | A Minor | 1 | 8A | 71 BPM | ||
| Solace | Cut Through Noise | E Major | 3 | 12B | 98 BPM | ||
| River 流れる | Marihiko Hara | G Major | 3 | 9B | 152 BPM | ||
| 顕れた心と時間 | 松坂大佑, Hakobune | E♭ Minor | 2 | 2A | 126 BPM |