- BPM
- 91
- Key
- F Minor
- Camelot
- 4A
Vocalissimus by Elena Ruehr, Boston Modern Orchestra Project, Gil Rose Song Details
"Vocalissimus" by Elena Ruehr, Boston Modern Orchestra Project, Gil Rose had its release date on October 14, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 6 in Elena Ruehr: O'Keeffe Images by Elena Ruehr, Boston Modern Orchestra Project, Gil Rose. In terms of popularity, Vocalissimus is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Vocalissimus by Elena Ruehr, Boston Modern Orchestra Project, Gil Rose is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Music Key
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -15.219 dB
- Acousticness
- 98%
- Danceability
- 14%
- Energy
- 22%
- Instrumentalness
- 82%
- Liveness
- 8%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto No.2 "The American Four Seasons" - Prologue | Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra | D Minor | 0 | 7A | 106 BPM | |
 | Toussaint Before the Spirits: "The Keys. We Have New Orders: I Go Alone" | Elena Ruehr, Madison Smartt Bell, Elizabeth Spires, Willliam Hite, Gil Rose, Boston Modern Orchestra Project | G Major | 1 | 9B | 81 BPM | |
 | Cricket, Spider, Bee: To Make a Prairie | Elena Ruehr, Marguerite Krull, Novus NY, Julian Wachner | G Major | 1 | 9B | 75 BPM | |
 | String Quartet No. 9 'Keweenaw': II. A Blizzard | Elena Ruehr, Quartet ES | C Major | 1 | 8B | 106 BPM | |
 | Somnoptera | Valgeir Sigurðsson, Liam Byrne, Ólafur Björn Ólafsson, James McVinnie | D Minor | 1 | 7A | 138 BPM | |
 | Donnacha Dennehy: Land of Winter: IV. March | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | D Minor | 4 | 7A | 97 BPM | |
 | Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | |
 | Chaconne In D Major | Helena Semanov | E Minor | 0 | 9A | 122 BPM | |
 | Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | |
 | 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | |
| Toussaint Before the Spirits: "The White Men Took My Eye In Battle" | Elena Ruehr, Madison Smartt Bell, Elizabeth Spires, Ramone Diggs, Stephen Salters, Alison Buchanan, Gil Rose, Boston Modern Orchestra Project | C Major | 3 | 8B | 86 BPM | |
 | Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | D Minor | 1 | 7A | 138 BPM | |
 | Ever Yours: III. You Reap What You Sow | Osvaldo Golijov, Arethusa Quartet, Animato Quartet, Nicholas Schwartz | D Minor | 1 | 7A | 138 BPM | |
 | Postcards from the Sky: III. A Messenger | Marjan Mozetich, CBC Vancouver Orchestra, Mario Bernardi | C Major | 0 | 8B | 50 BPM | |
 | Runner: I. Sixteenths | Steve Reich, Los Angeles Philharmonic, Susanna Mälkki | B♭ Major | 8 | 6B | 140 BPM | |
 | The Sea Ranch Songs: No. 8, Elements I | Aleksandra Vrebalov, Kronos Quartet | A Minor | 0 | 8A | 178 BPM | |
 | Thalia, Muse of Comedy | Ken Lafave | E Major | 6 | 12B | 77 BPM | |
 | Interlinked – III. Communication | Luke Howard, Royal Ballet Sinfonia | D Major | 2 | 10B | 121 BPM | |
 | Masquerade | Anna Clyne, BBC Symphony Orchestra, Marin Alsop | G Major | 4 | 9B | 116 BPM | |
 | Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Dominic Desautels | D Minor | 1 | 7A | 138 BPM | |
| Concerto Grosso Variations | Helena Semanov | A Minor | 0 | 8A | 116 BPM | |
 | String Quartet No. 14 in F-Sharp Major, Op. 142: II. Adagio | Dmitri Shostakovich, Cuarteto Casals | D Minor | 1 | 7A | 138 BPM | |
 | Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | |
 | Bargain and Bid | Sarah Neutkens, The Dutch String Collective | E♭ Major | 1 | 5B | 116 BPM | |
 | Martynov: "Come in!", Movement III | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 90 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records