Binod Rathod's ' "Tuma Tharu Beshi Bhala Chhabi Tumara" was released on its scheduled release date, March 7, 2025. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Tuma Tharu Beshi Bhala Chhabi Tumara only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Tuma Tharu Beshi Bhala Chhabi Tumara is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tuma Tharu Beshi Bhala Chhabi Tumara by Binod Rathod having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deunchi Mo Baan | Nibedita | D♭ Major | 8 | 3B | 112 BPM | ||
| To Hrudaya Tale Mun Kinichi Jami Female | Pragyan Hota | E Major | 9 | 12B | 116 BPM | ||
| Kiye Tate Sajeila | Arun Mantri, Aparajita | F♯ Minor | 8 | 11A | 89 BPM | ||
| Kemiti Kahibi | Nibedita, R. S. Kumar | B Minor | 8 | 10A | 75 BPM | ||
| Sathire Mo Jibana Sathire - Male Version | T. Souri | D Major | 8 | 10B | 100 BPM | ||
| Hasa Gote | Abhijeet, Namita Agrawal | G Minor | 9 | 6A | 176 BPM | ||
| Fagu Fagu Aei Akash Tale | Satyajeet, Asima Panda | B Major | 8 | 1B | 178 BPM | ||
| Akhire Mu Nida - From "Rangeela Toka" | Udit Narayan, Kabita Krunsta Murty, Abhijit Majumdar | F♯ Minor | 6 | 11A | 110 BPM | ||
| Katakare Dushera | Asima Panda | F♯ Minor | 9 | 11A | 138 BPM | ||
| Bhuli Paru Nahin | Binod Rathod, Ira Mohanty | C Minor | 10 | 5A | 95 BPM | ||
| Nabama Sreni Jhiata | Bibhu Kishore | G Minor | 10 | 6A | 146 BPM | ||
| Aalo Mora Rangila Gudi | Smrutimayee, Abhijit Majumdar | A♭ Major | 10 | 4B | 150 BPM | ||
| Aji Kain Mate Re | Kumar Bapi | B♭ Major | 8 | 6B | 97 BPM | ||
| Tor Anta Lidibidi | Ipsita Sahu, Ruku Suna | A♭ Major | 9 | 4B | 85 BPM | ||
| Ae Mana Manena - Male - Ae Mana Manena | Kumar Bapi | B Major | 9 | 1B | 134 BPM | ||
| O Yaara | Ananya Sritam Nanda, Sabises | E Major | 9 | 12B | 90 BPM | ||
| Batare Chalu Chalu | Babul Supriyo | D♭ Minor | 7 | 12A | 79 BPM | ||
| Sunday Re Setting | BISHNU MOHAN KABI, Suman | E Major | 9 | 12B | 138 BPM | ||
| Matha Re Dei Pata Odhani | Mohammed Aziz, Ira Mohanty | C Minor | 8 | 5A | 73 BPM | ||
| Chanda Na Tume Tara | Prashant Muduli, Ira Mohanty | G Minor | 8 | 6A | 76 BPM | ||
| Lal Gulapa Phoola | Ankit Raaj, Ipsita Sahu | D♭ Minor | 9 | 12A | 120 BPM | ||
| Tu Feria Dhana - Female Version | Binayaka Panda, Amrita Nayak | G Minor | 6 | 6A | 110 BPM | ||
| Bajiba Lo Sahanai | Humane Sagar, Diptirekha Padhi | F Minor | 9 | 4A | 150 BPM | ||
| Thare Thare Jibana Re | Sonu Nigam, Era Mohanty | A♭ Minor | 8 | 1A | 128 BPM | ||
| Kali Mora Bahaghara | Sangita Mishra | A Major | 7 | 11B | 147 BPM |