Terry Riley, Krista Bennion Feeney, David Tanenbaum, Gyan Riley, Chamber Orchestra Of Philadelphia, Ignat Solzhenitsyn's 'SolTierraLuna: II. Moonwaves' had a release date set for November 5, 2013. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Terry Riley Meets Maurice Ravel". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, SolTierraLuna: II. Moonwaves is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With SolTierraLuna: II. Moonwaves by Terry Riley, Krista Bennion Feeney, David Tanenbaum, Gyan Riley, Chamber Orchestra Of Philadelphia, Ignat Solzhenitsyn having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Drums | Laurie Spiegel | B Minor | 4 | 10A | 160 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | A Major | 0 | 11B | 92 BPM | ||
| Electric Counterpoint: II. Slow | Steve Reich, Pat Metheny | E Major | 2 | 12B | 96 BPM | ||
| Minipulsars, Pt. 2: Bing 4 | Tomasz Trzcinski | D Minor | 3 | 7A | 82 BPM | ||
| One Earth, One People, One Love (From Sun Rings) | Terry Riley, Kronos Quartet | G Major | 1 | 9B | 88 BPM | ||
| A Soar of Eagles Surround Us | Laura Cannell | A Major | 6 | 11B | 79 BPM | ||
| Harp | Masayoshi Fujita | F♯ Minor | 1 | 11A | 74 BPM | ||
| Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | C Major | 0 | 8B | 54 BPM | ||
| Keyboard Study 2 - Brubaker Version 1 | Terry Riley, Bruce Brubaker | E♭ Major | 2 | 5B | 177 BPM | ||
| Composition 1960 No. 7 | La Monte Young, Jeroen van Veen | B Minor | 0 | 10A | 58 BPM | ||
| Light Circles | Irena And Vojtech Havlovi | A Minor | 1 | 8A | 117 BPM | ||
| Bold | QUEEN TSAKY | A Major | 8 | 11B | 169 BPM | ||
| End of Summer Part 4 | Jóhann Jóhannsson, Hildur Guðnadóttir, Robert Aiki Aubrey Lowe | C Major | 0 | 8B | 66 BPM | ||
| In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | A Major | 2 | 11B | 139 BPM | ||
| A Una Rosa | Traditional, Ernst Reijseger, Mola Sylla, Tenore e Cuncordu de Orosei | G Major | 4 | 9B | 79 BPM | ||
| Noise Marimba Tape | Masayoshi Fujita | B Minor | 2 | 10A | 73 BPM | ||
| She In The Light | Irena And Vojtech Havlovi | A Major | 1 | 11B | 114 BPM | ||
| keshiki | FUJI||||||||||TA | A Major | 6 | 11B | 79 BPM | ||
| Viviadolus Goes Crazy and Relaxes (Live) | Marina Frescobaldi | G Minor | 6 | 6A | 81 BPM | ||
| The Peaches Shade | Irena And Vojtech Havlovi | G Major | 1 | 9B | 101 BPM | ||
| Kyrie | Popol Vuh | A♭ Major | 2 | 4B | 87 BPM | ||
| Origin | Yom | A Major | 6 | 11B | 79 BPM | ||
| Oil | Brian Eno, Moebius, Roedelius | B♭ Minor | 1 | 3A | 83 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| The Dance No. 1 | Laraaji, Brian Eno | F♯ Minor | 9 | 11A | 118 BPM |