Qais Essar's ' "Man Randa Ze Maikhana Am" was released on its scheduled release date, March 3, 2015. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Man Randa Ze Maikhana Am's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Qais Essar's "Klasik" album is number 2 out of 3. On top of that, United States appears to be the country where this track was created. The popularity of Man Randa Ze Maikhana Am is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Man Randa Ze Maikhana Am by Qais Essar to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raag Hansadhwani - Raag - Hansadhwani - Live | Mehtab Ali Niazi | D♭ Major | 6 | 3B | 138 BPM | ||
| Holeho (An Exclamation) | Armen Stepanyan | B Major | 1 | 1B | 81 BPM | ||
| Yae Paadal Ondru | K. Srinidhi | C Major | 6 | 8B | 108 BPM | ||
| Krishnamurti | Banaras Baba & Kolkata Kid | D♭ Major | 7 | 3B | 143 BPM | ||
| Awa di Mayoun| Mansur Shabaab | Chitral | Mansoor Ali Shabab | D♭ Minor | 1 | 12A | 105 BPM | ||
| The Infada Artefact | Callaine | F Minor | 7 | 4A | 100 BPM | ||
| Giriraja Suta Tanaya (Instrumentals) | Anjani Srinivasan | B♭ Major | 8 | 6B | 100 BPM | ||
| Gipsy Caravan Intro (Qanun Taqasim) | Itai Armon, Gal Hever | C Major | 6 | 8B | 108 BPM | ||
| Basking In Morning Light Pt 2 | Qais Essar | E Major | 4 | 12B | 150 BPM | ||
| Listen for Me in the Wind When I'm Gone | Qais Essar, Cole Quest | E Minor | 4 | 9A | 130 BPM | ||
| Imagination | Hossein Alizadeh | C Major | 0 | 8B | 102 BPM | ||
| Maharajo Eki Saaje | Iman Halder | G Minor | 1 | 6A | 57 BPM | ||
| Saraswati Sitar | Sage Mode | D Major | 2 | 10B | 187 BPM | ||
| Silent Altiplano | waldoMorpheo | E Minor | 4 | 9A | 134 BPM | ||
| Raag Nat Bhairav - Gat in Jhaptaal | Mayukh Gangopadhyay | C Major | 6 | 8B | 108 BPM | ||
| Nau | Bickram Ghosh, Kala Ramnath, Jesse Bannister | C Major | 5 | 8B | 110 BPM | ||
| آهنگ تیت محلی شیشته بودم نیمه شب | موزیک محلی | E♭ Major | 4 | 5B | 208 BPM | ||
| Love You Veena | Susheela Raman | C Minor | 2 | 5A | 169 BPM | ||
| Steps in Louvre | Nagham Debal | A Minor | 3 | 8A | 90 BPM | ||
| Raga Bhairavi - Ustad Amjad Ali Khan | Ustad Amjad Ali Khan | F Major | 6 | 7B | 107 BPM | ||
| Hansadhwani Fusion (Swan Song) - Instrumental | Vishwa Mohan Bhatt, Ricky Kej | D Major | 4 | 10B | 104 BPM | ||
| Saibhang - Live | Shivpreet Singh | D Minor | 2 | 7A | 85 BPM | ||
| Meditative Dimensions | Amjad Ali Khan | C Major | 6 | 8B | 108 BPM | ||
| Estado de Pasión | Naseer Shamma, Oyoun Arab Chamber Music | F Minor | 3 | 4A | 87 BPM | ||
| Persian Voice | Matthias Ruckdaeschel | D Major | 1 | 10B | 142 BPM |