"Der Sieg des Glaubens, Op. 157, Pt. 2: Wohlan, so sei's" by Ferdinand Ries, Markus Flaig, Das Kleine Konzert, Hermann Max had its release date on March 22, 2013. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Der Sieg des Glaubens, Op. 157, Pt. 2: Wohlan, so sei's's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Ries: Der Sieg des Glaubens, Op. 157". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. In terms of popularity, Der Sieg des Glaubens, Op. 157, Pt. 2: Wohlan, so sei's is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Sieg des Glaubens, Op. 157, Pt. 2: Wohlan, so sei's by Ferdinand Ries, Markus Flaig, Das Kleine Konzert, Hermann Max having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
| 24 Preludes and Fugues Op. 87: No. 7, in A Major: Fugue | Dmitri Shostakovich, Yulianna Avdeeva | A Major | 0 | 11B | 80 BPM | ||
| Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo - Vivace | Frédéric Chopin, Evgeny Kissin, Dmitri Kitayenko, Moscow Philharmonic Orchestra | E Major | 2 | 12B | 120 BPM | ||
| 4 Valses oubliées, S. 215: No. 1, — | Franz Liszt, Anna Leyerer | B Major | 2 | 1B | 85 BPM | ||
| Serenade for Strings in E Minor, Op. 20: III. Allegretto | Edward Elgar, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
| Masques et Bergamasques, suite, Op.112: 3. Gavotte | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 109 BPM | ||
| Symphony No. 2 in B-Flat Major, D.125: II. Andante | Franz Schubert, New York Philharmonic, Alan Gilbert | E♭ Major | 0 | 5B | 115 BPM | ||
| Piano Trio No. 1 in B Major, Op. 8: 2. Scherzo. Allegro molto – Trio. Meno allegro - Live | Johannes Brahms, Daniil Trifonov, Ilya Gringolts, Trulls Mørk | B Major | 1 | 1B | 146 BPM | ||
| Valses oubliées, S.215: No. 1 | Franz Liszt, Agnelle Bundervoët | G Minor | 2 | 6A | 74 BPM | ||
| Symphony in C Major, Ben. 128: I. Allegro molto spiritoso | Ignaz Pleyel, Capella Istropolitana, Uwe Grodd | C Major | 1 | 8B | 88 BPM | ||
| Piano Trio in E-Flat Major, D. 929: II. Andante con moto | Franz Schubert, Gould Piano Trio | D♭ Major | 0 | 3B | 80 BPM | ||
| Clarinet Quintet in B Minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento | Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen | D Major | 2 | 10B | 105 BPM | ||
| Holberg Suite, Op. 40: IV. Air. Andante religioso | Edvard Grieg, Aristo Sham | G Major | 2 | 9B | 148 BPM | ||
| Roland Furieux: II. Andante tranquillo | Augusta Holmès, Michael Francis, Deutsche Staatsphilharmonie Rheinland-Pfalz | E♭ Major | 1 | 5B | 88 BPM | ||
| Piano Trio No. 2 in E flat, Op. 100 D.929: 3. Scherzo. (Allegro moderato - Trio) | Franz Schubert, Beaux Arts Trio | F Major | 1 | 7B | 82 BPM | ||
| Kyllikki - Three Lyrical Pieces for Piano, Op. 41: I. Largamente | Jean Sibelius, Leif Ove Andsnes | E♭ Minor | 1 | 2A | 133 BPM | ||
| Keyboard Sonata in C Minor, Kk. 56 | Domenico Scarlatti, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
| Nocturne No. 5 in B-Flat Major | John Field, Miceal O'Rourke | B♭ Major | 0 | 6B | 73 BPM | ||
| Schubert: Piano Sonata No. 21 in B-Flat Major, D. 960: III. Scherzo | Franz Schubert, Dong Hyek Lim | D♭ Minor | 1 | 12A | 84 BPM | ||
| Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | E♭ Major | 1 | 5B | 101 BPM | ||
| Piano Concerto in A Minor, Op. 17: II. Romanza: Andante | Ignacy Jan Paderewski, Janina Fialkowska, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 0 | 8B | 111 BPM | ||
| Symphony No. 1 in C Minor, Op. 11, MWV N 13: IV. Allegro con fuoco - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Minor | 2 | 5A | 142 BPM | ||
| 24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major | Dmitri Shostakovich, Igor Levit | A Major | 0 | 11B | 97 BPM | ||
| Die Konige in Israel, Op. 186: Pt. 2: Aria. Geist Samuels, des Sohns el-kanas (Hexe von Endor) | Ferdinand Ries, Nele Gramss, Gerhild Romberger, Ewa Wolak, Markus Schäfer, Harry Van Der Kamp, Marek Rzepka, Kai Florian Bischoff, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | E♭ Minor | 0 | 2A | 67 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo, con Grazia | Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh | A♭ Major | 0 | 4B | 176 BPM |