Scratch Massive's 'Break Away - Live Version' had a release date set for January 28, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 10 in Communion by Scratch Massive. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Break Away - Live Version is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Break Away - Live Version by Scratch Massive is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Black Monday | The Golden Filter | A Minor | 6 | 8A | 122 BPM | ||
| Hey You Goodbye Me | Juno Francis | F Major | 9 | 7B | 113 BPM | ||
| Reflecting Lights | GOLD ZEBRA | G Major | 5 | 9B | 114 BPM | ||
| 51 Ways To Leave Your Lover | Tristesse Contemporaine | G Major | 6 | 9B | 89 BPM | ||
| Demons | Empathy Test | D Minor | 6 | 7A | 100 BPM | ||
| Under the Void | ATOEM | D♭ Major | 9 | 3B | 130 BPM | ||
| I Want You | Stacks | C Major | 2 | 8B | 120 BPM | ||
| A Quiet Place | Home Video | C Major | 7 | 8B | 120 BPM | ||
| The Witch | Dombrance, Sourya | C Minor | 9 | 5A | 110 BPM | ||
| Love & Hate | David Shaw and The Beat | G Major | 7 | 9B | 102 BPM | ||
| The Storm | Hante. | E♭ Major | 8 | 5B | 125 BPM | ||
| Fallen Leaves | Hunter As a Horse | D Major | 5 | 10B | 112 BPM | ||
| Ketamine | Ohota | E Minor | 6 | 9A | 130 BPM | ||
| Apart | Kasper Bjørke, Sísý Ey | C Major | 7 | 8B | 124 BPM | ||
| The Sun | Rosa Damask | F♯ Minor | 8 | 11A | 120 BPM | ||
| Standing by My Door | Maud Geffray | C Major | 8 | 8B | 96 BPM | ||
| Echoes and Drawl | Fragrance, Gloria de Oliveira | E Minor | 10 | 9A | 100 BPM | ||
| Pleine lune II | Sébastien Tellier | C Major | 5 | 8B | 100 BPM | ||
| Ne Soit Pas Triste (№2) | Galatée | C Minor | 4 | 5A | 120 BPM | ||
| Toute vie est déraillé | Galatée | E Minor | 2 | 9A | 180 BPM | ||
| Enhance | Ghost Cop | B♭ Minor | 9 | 3A | 95 BPM | ||
| Again | The George Kaplan Conspiracy, Gabriel Afathi | A Major | 5 | 11B | 105 BPM | ||
| Hymn to Nowhere | Henry Saiz | A♭ Major | 4 | 4B | 117 BPM | ||
| Give Me a Reason | Boy Harsher | A♭ Major | 8 | 4B | 122 BPM | ||
| Introspective | LAAKE | A Minor | 6 | 8A | 101 BPM |