Falling In Reverse's 'Born to Lead' had a release date set for June 18, 2013. This song is quite longer than the average track at 5 minutes and 19 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The song is number 6 out of 15 in Fashionably Late (Deluxe Edition) by Falling In Reverse. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Born to Lead is currently average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Born to Lead by Falling In Reverse is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Playing Dead | Chunk! No, Captain Chunk! | B♭ Major | 10 | 6B | 122 BPM | ||
| Reprise (The Sound Of The End) | Bad Omens | B Minor | 10 | 10A | 140 BPM | ||
| Fake My Own Death | Sum 41 | C Major | 10 | 8B | 110 BPM | ||
| Destruction of Myself | From Ashes to New | E Minor | 10 | 9A | 125 BPM | ||
| Crystals | Electric Callboy | B♭ Minor | 10 | 3A | 200 BPM | ||
| Outcasts | Palisades | F Major | 10 | 7B | 160 BPM | ||
| Broadway's Gonna Kill Us | Electric Callboy | B♭ Minor | 9 | 3A | 140 BPM | ||
| Jugular | Follow My Lead | G Minor | 10 | 6A | 149 BPM | ||
| It Never Ends | Bring Me The Horizon | C Minor | 9 | 5A | 105 BPM | ||
| Closure | Asking Alexandria | A♭ Major | 10 | 4B | 90 BPM | ||
| 10 Years "I'll Never Be The Same" | Survive This! | D♭ Major | 10 | 3B | 92 BPM | ||
| Way the World Turns | Outline In Color | A Major | 10 | 11B | 138 BPM | ||
| C'est Pas Si Loin | The Bunny The Bear | A♭ Major | 8 | 4B | 120 BPM | ||
| Sleepwalking | Bring Me The Horizon | D Minor | 10 | 7A | 149 BPM | ||
| Meanwhile | The Funeral Portrait | F♯ Minor | 10 | 11A | 161 BPM | ||
| You're So Creepy | Ghost Town | B♭ Major | 9 | 6B | 120 BPM | ||
| Hell Above | Pierce The Veil | F♯ Major | 10 | 2B | 130 BPM | ||
| I Am Bulletproof | Black Veil Brides | G Major | 10 | 9B | 120 BPM | ||
| Would You Still Be There | Of Mice & Men | B♭ Major | 9 | 6B | 96 BPM | ||
| Surrender the Night | My Chemical Romance | D♭ Minor | 9 | 12A | 137 BPM | ||
| Maybe Holding Hands Wasn't Such a Good Idea | Modern Day Escape | A Major | 8 | 11B | 94 BPM | ||
| Her Eyes | Fame on Fire | C Major | 10 | 8B | 155 BPM | ||
| Kick Me | Sleeping With Sirens | A Major | 9 | 11B | 110 BPM | ||
| Searching for a Home | Famous Last Words | A♭ Major | 9 | 4B | 185 BPM | ||
| Doomed | Bring Me The Horizon | F♯ Minor | 9 | 11A | 147 BPM |