"Mefistofele: Prologue - Preludio" by Arrigo Boito, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano had its release date on 1996. This song is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. The song is number 1 out of 34 in Boito: Mefistofele by Arrigo Boito, Riccardo Muti. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Mefistofele: Prologue - Preludio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mefistofele: Prologue - Preludio by Arrigo Boito, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nerone, Act I: Sei còlta - Chi ama la morte (Simon Mago, Asteria) - Live | Arrigo Boito, Franco Vassallo, Valentina Boi, Orchestra del Teatro Lirico di Cagliari, Francesco Cilluffo | F Major | 2 | 7B | 80 BPM | ||
| Puccini: Madama Butterfly, Act 1: "Ieri son salita tutta sola" (Butterfly, Goro, Il Commissario, Coro, Sharpless, Ufficiale del Registro, Pinkerton) | Giacomo Puccini, Sir John Barbirolli, Carlo Bergonzi, Coro Del Teatro Dell'Opera Di Roma, Mario Rinaudo, Piero de Palma, Renata Scotto, Rolando Panerai, Orchestra Del Teatro Dell'Opera Di Roma | A♭ Minor | 9 | 1A | 143 BPM | ||
| Tosca / Act II: "Sciarrone: che dice il cavalier?" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Ruggero Raimondi, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 75 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1a, Choeur des brigands, "Le cor dans la montagne" (Domino, Barbavano, Choeur) | Jacques Offenbach, John Eliot Gardiner - Colette Alliot Lugaz - Choeurs De L'Opéra National De Lyon - Thierry Dran - François Le Roux - Orch Nat Opéra De Lyon - Tibere Raffalli - Michel Trempont, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Boito: Mefistofele, Act 3: "Sorge il dì!" (Mefistofele, Margherita, Faust) | Arrigo Boito, Norman Treigle, Julius Rudel, London Symphony Orchestra | A Minor | 3 | 8A | 168 BPM | ||
| L'elisir d'amore / Act II: Quanto amore! Ed io spietata! | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
| Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
| Salome, Op. 54 / Scene 3: "Wird dir nicht bange, Tochter der Herodias?" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 2 | 9B | 95 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Cilèa: L'Arlesiana, Act 2: "È la solita storia del pastore" (Federico) | Francesco Cilea, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | A Minor | 1 | 8A | 168 BPM | ||
| Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | ||
| Musica proibita, Op. 5 (arr. L. Logi) [Orch. L. Logi] | Stanislao Gastaldon, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | G Major | 1 | 9B | 128 BPM | ||
| Maria Stuarda / Act 1: "Qui si attenda" | Gaetano Donizetti, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè | B♭ Major | 3 | 6B | 127 BPM | ||
| La tabernera del puerto, Act II: "No puede ser" (Leandro) | Pablo Sorozábal, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | F♯ Major | 1 | 2B | 128 BPM | ||
| Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
| Lucia di Lammermoor / Act 3: "D'immenso giubilo" | Gaetano Donizetti, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Minor | 0 | 9A | 89 BPM | ||
| Nerone, Act I: Fanuèl! - Non t'alzar (Rubria, Fanuèl, Simon Mago) - Live | Arrigo Boito, Deniz Uzun, Roberto Frontali, Franco Vassallo, Orchestra del Teatro Lirico di Cagliari, Francesco Cilluffo | F Major | 2 | 7B | 80 BPM | ||
| Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Mefistofele / Act 2: Dimmi se credi, Enrico | Arrigo Boito, Renata Tebaldi, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | B♭ Major | 4 | 6B | 91 BPM | ||
| Maria Stuarda / Act 1: "Fra noi perchè non veggio Leicester?" | Gaetano Donizetti, Agnes Baltsa, Simone Alaimo, Francisco Araiza, Francesco Ellero D'Artegna, Munich Radio Orchestra, Giuseppe Patanè | C Major | 0 | 8B | 83 BPM | ||
| Boito: Mefistofele, Act 1 Scene 1: "Sediam sovra quel sasso" (Faust, Wagner, Popolani) | Arrigo Boito, Plácido Domingo, Julius Rudel, London Symphony Orchestra | D Minor | 1 | 7A | 73 BPM | ||
| Turandot / Act 1: La grazia, Principessa! - O divina bellezza (Coro / Calaf) | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Major | 1 | 1B | 69 BPM | ||
| Mefistofele / Act 2: Dio clemente, nuova, ignara | Arrigo Boito, Renata Tebaldi, LUCIA DANIELI, Giuseppe Di Stefano, Cesare Siepi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | D Major | 4 | 10B | 91 BPM | ||
| Peter Grimes, Op.33 / Act 1: "Look, the Storm Cone!" | Benjamin Britten, James Pease, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 4 | 6B | 91 BPM | ||
| Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM |