The official release date for Hockets for Two Voices: IV. — by Meara O'Reilly was October 25, 2019. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Meara O'Reilly's "Meara O'Reilly: Hockets for Two Voices" album is number 4 out of 7. On top of that, United States appears to be the country where this track was created. Based on our statistics, Hockets for Two Voices: IV. —'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hockets for Two Voices: IV. — by Meara O'Reilly to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pond In Moonlight | Tristan Arp | A Major | 2 | 11B | 119 BPM | ||
| I Know He Will | Tara Clerkin Trio | D♭ Major | 6 | 3B | 82 BPM | ||
| This Word Love | Peter Brötzmann, Heather Leigh | A Minor | 1 | 8A | 65 BPM | ||
| SIN DOLOR | JhosmelCruz | B Major | 8 | 1B | 79 BPM | ||
| Light Circles | Irena And Vojtech Havlovi | A Minor | 1 | 8A | 117 BPM | ||
| Hockets for Two Voices: II. — | Meara O'Reilly | E♭ Minor | 1 | 2A | 121 BPM | ||
| Protein Synthesis | Kessel | A Minor | 1 | 8A | 172 BPM | ||
| Ezi Nwaw | Configlo | A Major | 2 | 11B | 119 BPM | ||
| Song Of The Sleeping Forest | Susumu Yokota | G Major | 7 | 9B | 107 BPM | ||
| Slow Dance | Beverly Glenn-Copeland | A♭ Major | 7 | 4B | 143 BPM | ||
| [Untitled] | Nuno Canavarro | D Major | 1 | 10B | 116 BPM | ||
| Objects | Kathryn Shuman | F♯ Major | 2 | 2B | 110 BPM | ||
| Don't go back to sleep | Bex Burch, Dan Bitney | A♭ Minor | 3 | 1A | 75 BPM | ||
| My Days Are Not Over For Me (1993) | Charles Joseph Smith | A Major | 2 | 11B | 119 BPM | ||
| Fear And Loathing In Gotham: Gotham Lullaby | Meredith Monk, Collin Walcott | A Minor | 1 | 8A | 79 BPM | ||
| This Hammer Breaks | Colleen | D♭ Major | 9 | 3B | 102 BPM | ||
| Untitled 1 | Mark Fell, Gábor Lázár | B♭ Minor | 4 | 3A | 85 BPM | ||
| Appalachian Grove I | Laurie Spiegel | G Minor | 1 | 6A | 109 BPM | ||
| Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | ||
| Swaddledidaf Rosé | Dali Muru & The Polyphonic Swarm | G Major | 1 | 9B | 159 BPM | ||
| Holding Horses | Colleen | A Minor | 3 | 8A | 148 BPM | ||
| Profondeurs des eaux des laques | Benjamin Lew, STEVEN BROWN | F♯ Minor | 1 | 11A | 138 BPM | ||
| Agarrame | JhosmelCruz | A♭ Major | 7 | 4B | 144 BPM | ||
| Extended Circular Music No. 2 | Jürg Frey, Tamriko Kordzaia | A♭ Minor | 0 | 1A | 112 BPM | ||
| Different Trains: America—Before the war | Steve Reich, Kronos Quartet | D♭ Major | 4 | 3B | 107 BPM |