G.P. テレマン, 山岡重治(リコーダー), 向江昭雅(リコーダー)'s ' "ソナタ 第2番 ヘ長調 作品2 Ⅲ. Largo" was released on its scheduled release date, March 24, 2009. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 2本のリコーダーのための作品集, so we believe that "ソナタ 第2番 ヘ長調 作品2 Ⅲ. Largo" is a single. ソナタ 第2番 ヘ長調 作品2 Ⅲ. Largo is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of ソナタ 第2番 ヘ長調 作品2 Ⅲ. Largo by G.P. テレマン, 山岡重治(リコーダー), 向江昭雅(リコーダー) is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Semele, HWV 58: Where'er You Walk (Arr. for Oboe & Orchestra by John Rutter) | George Frideric Handel, John Rutter, Manchester Camerata | B♭ Major | 1 | 6B | 80 BPM | ||
| Introduzione e 8 Variazioni Brillanti su un tema originale in F Major, Op. 32: (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): X. Variation 8 | Ernst Krähmer, Claudio Ferrarini | D Minor | 2 | 7A | 142 BPM | ||
| Waldszenen: 9. Abschied | Calefax Reed Quintet | B♭ Major | 0 | 6B | 134 BPM | ||
| Divisions on a Ground | Thomas Tollett, Lucie Horsch, Charlotte Barbour-Condini | F♯ Major | 1 | 2B | 109 BPM | ||
| Concerto XI à 5 en Ut Mineur, Op. 1: I. Largo | Pietro Locatelli, Freiburger Barockorchester, Gottfried Von Der Goltz | B Minor | 1 | 10A | 134 BPM | ||
| Potpourri for Piano and Guitar in G Major, Op. 53: Potpourri | Johann Nepomuk Hummel, Consortium Classicum | D Major | 0 | 10B | 109 BPM | ||
| Sonates sans basse: Sonata No. 2 in D Major, TWV 40:102: Dolce | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | D Major | 1 | 10B | 126 BPM | ||
| Andersen Fairy Tales Suite: I. The Rose-Tree | Boris Tchaikovsky, Musica Viva Chamber Orchestra, Kirill Ershov | A♭ Major | 0 | 4B | 101 BPM | ||
| Come, Ye Sons of Art Away, Z. 323 "Ode for Queen Mary's Birthday, 1694": No. 2. Duet, "Come Ye Sons of Art Away" (Arr. with Trumpet, Trombone, Baroque Guitar, Cello and Organ by Wim van Hasselt and Jörgen van Rijen) | Henry Purcell, Wim Van Hasselt, Jörgen Van Rijen, Benedikt Enzler, Mike Fentross, Jorge Lopez-Escribano | F Major | 1 | 7B | 107 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Abdelazer, Incidental Music, Z. 570: II. Rondeau (Arr. for Saxophone Quartet) | Henry Purcell, Ferio Saxophone Quartet | D Minor | 2 | 7A | 105 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Purcell: Chacony in G Minor, Z. 730 | Henry Purcell, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| The Hebrides, Op. 26: Allegro moderato | Felix Mendelssohn, Leipziger Streichquartett | B Minor | 1 | 10A | 114 BPM | ||
| Chabrier: Habanera | Emmanuel Chabrier, Pierre Barbizet | F Major | 1 | 7B | 118 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| Bassoon Concerto in B-Flat Major, RV 501 "La Notte": III. II Sonno. Andante molto | Antonio Vivaldi, Academy of St. Martin in the Fields (orchestra); Gustavo Núñez (bassoon); Tomo Keller (musical direc, Gustavo Núñez, Tomo Keller | B♭ Major | 0 | 6B | 70 BPM | ||
| Trois petites pièces: Clair de Lune | Augusta Holmès, Juliette Hurel, Hélène Couvert | F Minor | 0 | 4A | 81 BPM | ||
| Riessler & Bach, JS: Intro / Air from the Orchestral Suite No. 3, BWV 1068 (Arr. Riessler for Clarinet Ensemble) | Johann Sebastian Bach, Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Vivaldi: Flute Concerto in A Minor, RV 440: II. Larghetto | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | A Minor | 0 | 8A | 75 BPM | ||
| Pièces de clavecin, Suite in E, RCT 2: La Villageoise. Rondeau | Jean-Philippe Rameau, Constance Luzzati | G Minor | 1 | 6A | 82 BPM | ||
| ソナタ ヘ短調 TWV41:F1 Ⅱ.アレグロ | G.P. テレマン, 工藤重典(フルート), 成田有花(チェンバロ&ピアノ) | A Major | 1 | 11B | 76 BPM | ||
| Telemann: Horn Concerto in D Major, TWV 51:D8: II. Largo | Georg Philipp Telemann, Barry Tuckwell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 72 BPM | ||
| Feet In The Clouds | Fiona Ubong | F♯ Major | 1 | 2B | 73 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Variation I | Saverio Mercadante, Claudio Ferrarini | D Minor | 2 | 7A | 142 BPM |