Shirley Combs's ' "Why Should We Stop Now" was released on its scheduled release date, June 1, 2005. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "The Big Bad Bay Area". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Turks and Caicos Islands. Why Should We Stop Now is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Why Should We Stop Now by Shirley Combs having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| This Love Is Real | The Lovelites | B Major | 4 | 1B | 150 BPM | ||
| On Sunday Afternoon | The Harptones | E♭ Major | 4 | 5B | 108 BPM | ||
| Come Closer to Me | The Mad Lads | B♭ Major | 3 | 6B | 92 BPM | ||
| This Time Around | Erik Bo Jonsson & The Northern Lights | A Major | 6 | 11B | 145 BPM | ||
| Love Storm | The Perfections | F Major | 3 | 7B | 74 BPM | ||
| Look up, Look Down | Soft Touch | A Major | 4 | 11B | 86 BPM | ||
| I'll Be Alright | The Three Strangers | B♭ Major | 5 | 6B | 168 BPM | ||
| The Stakes Are Too High | Ernie Marbray | C Major | 4 | 8B | 97 BPM | ||
| Southside Heartbreak | Los So-Lows | A♭ Major | 5 | 4B | 142 BPM | ||
| Comfort Me | Little Joe, The Latinaires, Jose Maria De Leon Hernandez, Johnny Hernandez, Bobby Butler | G Minor | 3 | 6A | 134 BPM | ||
| I Want You To Stay | Los Yesterdays | A♭ Major | 6 | 4B | 143 BPM | ||
| There's No One To Blame | Landy Nova | B♭ Major | 4 | 6B | 78 BPM | ||
| I Belong To You | Love Unlimited | F Major | 6 | 7B | 95 BPM | ||
| Can't Win | The Invincibles | C Major | 3 | 8B | 175 BPM | ||
| Looking for a Love (Of My Own) | The Classics | A♭ Major | 1 | 4B | 95 BPM | ||
| Just A Few Steps Up The Isle | Jato Von Del | C Major | 8 | 8B | 108 BPM | ||
| No More | The Uptones | E♭ Major | 4 | 5B | 94 BPM | ||
| Think About Tomorrow - Remastered | The Ethics | G Major | 5 | 9B | 141 BPM | ||
| Ain't Got To Love Nobody Else | The Masqueraders | C Major | 4 | 8B | 129 BPM | ||
| Where Did He Come From | Sunday | D Major | 5 | 10B | 171 BPM | ||
| So Much On My Mind | Willie & The Dots, Jox | F♯ Major | 3 | 2B | 82 BPM | ||
| Somebody Please | The Vanguards | F♯ Minor | 4 | 11A | 87 BPM | ||
| Like Clouds | The Districts | F♯ Minor | 5 | 11A | 86 BPM | ||
| Outside Woman | Bloodstone | F♯ Minor | 4 | 11A | 150 BPM | ||
| It Ain't No Big Thing | The Radiants | F♯ Minor | 6 | 11A | 105 BPM |