Amber Rubarth's 'In The Creases' had a release date set for December 3, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "New Green Lines". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, In The Creases is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With In The Creases by Amber Rubarth having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thinkin' on You | Rachel Baiman | D♭ Major | 3 | 3B | 126 BPM | ||
| Black Mountain Lullaby | Caroline Herring | C Major | 2 | 8B | 95 BPM | ||
| Something to Lose | Rachel Baiman | D Major | 3 | 10B | 103 BPM | ||
| Losing My Religion | Amber Rubarth | E Minor | 1 | 9A | 135 BPM | ||
| Just Like a Woman | Amber Rubarth | F Major | 0 | 7B | 79 BPM | ||
| Real Time, Real Tears | Maya De Vitry | A♭ Major | 5 | 4B | 184 BPM | ||
| Cave Man | Chris Smither | G Major | 3 | 9B | 85 BPM | ||
| Homeless | Kris Delmhorst | G Major | 2 | 9B | 137 BPM | ||
| Bells Of Harlem | Dave Rawlings Machine | F Major | 2 | 7B | 71 BPM | ||
| Take Me Home | Phoebe Hunt, The Gatherers | E♭ Major | 5 | 5B | 92 BPM | ||
| Sea Fever | Kris Delmhorst | D Major | 2 | 10B | 129 BPM | ||
| Too Much | Courtney Hartman | E Major | 2 | 12B | 79 BPM | ||
| Desperado | Lucy Wainwright Roche, Suzzy Roche | B Major | 2 | 1B | 132 BPM | ||
| Coyote | Catherine MacLellan | D♭ Minor | 2 | 12A | 88 BPM | ||
| Ruby | Eddie Berman | C Major | 2 | 8B | 109 BPM | ||
| Mercy | Po' Girl | C Major | 0 | 8B | 106 BPM | ||
| Goodnight Irene | Kelly Joe Phelps | F Major | 1 | 7B | 118 BPM | ||
| Both Sides Now | Lucy Wainwright Roche, Suzzy Roche | G Major | 3 | 9B | 104 BPM | ||
| When I Go | Dave Carter, Tracy Grammer | D Minor | 2 | 7A | 171 BPM | ||
| Dogsong aka Sleep Dog Lullaby | The Be Good Tanyas | C Major | 2 | 8B | 105 BPM | ||
| Till The Stardust Comes Apart | Buddy & Julie Miller, Buddy Miller, Julie Miller | B♭ Major | 1 | 6B | 145 BPM | ||
| Isn’t That Enough | Joan Shelley | D♭ Major | 1 | 3B | 99 BPM | ||
| The Man in the Wilderness | Natalie Merchant | E Minor | 3 | 9A | 157 BPM | ||
| Heading Home | Pieta Brown | E Major | 1 | 12B | 103 BPM | ||
| Early Morning Rain | Lydia Luce | C Major | 3 | 8B | 89 BPM |