On October 12, 2001, the song "Kai Nar Aaya In Aagan" was released by Prakash Mali. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Prakash Mali's "Kaya Ro Hindolo Rachiyo" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Kai Nar Aaya In Aagan is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Kai Nar Aaya In Aagan by Prakash Mali to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Duniya Mein Datar Bahut Hain Dikhlate Datari | Upasana Mehta | F Minor | 9 | 4A | 134 BPM | ||
| Babe Aali Mata | Ghulam Mohammad | F Major | 9 | 7B | 80 BPM | ||
| Jai Bolo Mahakal Ki | Manish Tiwari | F♯ Minor | 4 | 11A | 94 BPM | ||
| Nand Na Choona Shyam | Sadhvi Purnima | D♭ Major | 7 | 3B | 126 BPM | ||
| Banda Sa Lage Shyam | Rajni Rajasthani | F♯ Minor | 7 | 11A | 90 BPM | ||
| Nadol Ri Ashapura Mata | Bhanwar Rao, Gunesh Giri Maharaj, Prakash Mali, Ramesh Mali, Kushal Barath | D Major | 7 | 10B | 96 BPM | ||
| O Gauri Putra Ganraja | Manish Tiwari | F♯ Major | 6 | 2B | 154 BPM | ||
| Ek Bar Jo Raghuvar Ki Najaro Ka Ishara Ho Jaye | Pawan Tiwari | C Minor | 9 | 5A | 112 BPM | ||
| Ukhal Se Bandhvaye Dungi | Rahul Savera | B♭ Minor | 9 | 3A | 140 BPM | ||
| Sai Sevakchi Palkhi Chalali Shirdi Gavi | Jayesh Parab | A♭ Major | 9 | 4B | 180 BPM | ||
| Lad Gai Lad Gai Shyam Naal | Deepa Didi | B Major | 9 | 1B | 136 BPM | ||
| Chatak Matak Chatkili Chal | Reshmi Sharma | C Major | 9 | 8B | 144 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| MERI CHOTI SI HAI NAAV TERE JADU BHARE PAAV | Bhagwat Suthar | F Major | 6 | 7B | 89 BPM | ||
| Sare Jag Ka Rakhwala | Sanjay Mittal | G Major | 9 | 9B | 100 BPM | ||
| Naache - Naache Re Anjani Maa Ko Laal | Pt. Ram Avtar Sharma | F Minor | 9 | 4A | 98 BPM | ||
| Hansa Sunder Kaya Ro Mat Karje Abhiman | Chotu Singh Rawna | G Minor | 6 | 6A | 93 BPM | ||
| Aaya Hu Tera Dwar | Mohit Chauhan | F Minor | 8 | 4A | 80 BPM | ||
| Mera Man Panchi Hai Ye | Devkinandan | B Minor | 8 | 10A | 74 BPM | ||
| Bihari ji ke ham ho gye.... | Mukul Dwivedi | F Minor | 8 | 4A | 80 BPM | ||
| Pappu Kaay Ke Lane Jag Rayo Bundeli Hasya Lokgeet | JaiSingh Raja, Veena Pandit | F♯ Major | 8 | 2B | 80 BPM | ||
| Karuna Bhare Kripa Bhare | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Deshadalo Rang Rudo | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Man Chal Vrindavan Chal Ve Mana | Hita Ambrish | B Major | 7 | 1B | 145 BPM | ||
| Mara Mataji Sirmor | Mahaveer Sankhla | F Minor | 9 | 4A | 117 BPM |