Nahid Akhtar's 'Sari Dunya Noon Main (From "Shanakht Parade")' had a release date set for October 1, 2013. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Tafo Brothers's "Mera Challenge / Shanakht Parade" album is number 7 out of 12. In terms of popularity, Sari Dunya Noon Main (From "Shanakht Parade") is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sari Dunya Noon Main (From "Shanakht Parade") by Nahid Akhtar to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Barre Be Marawat Hain | Surriya Multanikar | E♭ Major | 6 | 5B | 134 BPM | ||
| Agar Tum Mil Jao | Tasawwar Khanum | F♯ Minor | 5 | 11A | 152 BPM | ||
| Commentary And Yeh Paude Yeh Patte Yeh Phool | Anuradha Paudwal, Bhupinder Singh, Ameen Sayani | G Major | 4 | 9B | 89 BPM | ||
| Da Janan Khayal Me Zangwi | Ijaz Ufaq | D♭ Major | 8 | 3B | 147 BPM | ||
| Chhariya Jeyo Na Aar | Manabendra Mukherjee | A Minor | 6 | 8A | 121 BPM | ||
| Lambi Judai | Reshma | D♭ Major | 3 | 3B | 82 BPM | ||
| Nigahein Ho Gain Pur Nam | Naseem Begum | A♭ Major | 3 | 4B | 105 BPM | ||
| Dholna Main Nahin Bolna | Maratab Ali | F Minor | 2 | 4A | 145 BPM | ||
| Uss Bewafa Ka Shehar He | Naseem Begum | F Major | 4 | 7B | 91 BPM | ||
| Sta Pa Judai Ke Ter Ba She Wakh Tona | Khayal Muhammad, Mahjabeen Qazalbash | F Major | 6 | 7B | 125 BPM | ||
| Jitna Te Harna | Satinder Saartajj | E♭ Minor | 8 | 2A | 112 BPM | ||
| Sona Na Chandi Na Koi Mahal (From "Bandish") | Akhlaq Ahmed | B♭ Minor | 2 | 3A | 79 BPM | ||
| Toon Mala Toon | Lata Mangeshkar | G Major | 3 | 9B | 80 BPM | ||
| Who Chehra Aur He Tha Chandani Mein | Ghulam Ali | D♭ Major | 2 | 3B | 145 BPM | ||
| Kandeyan Sagri | Sarmad Sindhi | A♭ Major | 9 | 4B | 119 BPM | ||
| Sakshi Thakuk Jharapata | Hemant Kumar | D Major | 3 | 10B | 201 BPM | ||
| Najariya Ki Mari | Rajkumari | E♭ Major | 3 | 5B | 79 BPM | ||
| Door Papiha Bole | Suraiya | B♭ Major | 2 | 6B | 84 BPM | ||
| Balocha Zalima | Mansoor Ali Malangi | G Major | 3 | 9B | 118 BPM | ||
| Aawaz Deke Humen Tum - Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Mohammed Rafi | E Major | 4 | 12B | 163 BPM | ||
| KABHI NAIKI BHI ESKE JI MEIN GAR AA JAE | Lata Mangeshkar | D♭ Major | 2 | 3B | 145 BPM | ||
| Yeh Sila Mila Hai Mujhko | Munni Begum | F Minor | 4 | 4A | 123 BPM | ||
| Phool Gendva Na Maro | Manna Dey | E♭ Minor | 5 | 2A | 90 BPM | ||
| Jab Hum Jawan Honge - Analogue Mix | Prashant Kumar, Lata Mangeshkar, Shabbir Kumar | D♭ Major | 2 | 3B | 145 BPM | ||
| Dumadum Mast Kalandar | Runa Laila | F Minor | 6 | 4A | 102 BPM |