Variations on a Theme by Haydn, Op. 56a: Variation I: Poco più animato
Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini
Brahms: Symphony No.3; Haydn-Variations
1:27 January 1, 1991
BPM
140
Key
B♭ Major
Camelot
6B

Embed

Share Link

Variations on a Theme by Haydn, Op. 56a: Variation I: Poco più animato by Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini Song Details

Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini's ' "Variations on a Theme by Haydn, Op. 56a: Variation I: Poco più animato" was released on its scheduled release date, January 1, 1991. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 14 in Brahms: Symphony No.3; Haydn-Variations by Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Variations on a Theme by Haydn, Op. 56a: Variation I: Poco più animato's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

The tempo marking of Variations on a Theme by Haydn, Op. 56a: Variation I: Poco più animato by Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-20.472 dB
Acousticness
98%
Danceability
40%
Energy
7%
Instrumentalness
84%
Liveness
19%
Loudness
66%
Speechiness
4%
Valence
41%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto by Ludwig van Beethoven, Berliner Philharmoniker, Kirill PetrenkoSymphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno prestoLudwig van Beethoven, Berliner Philharmoniker, Kirill PetrenkoD Major210B105 BPM
In the Steppes of Central Asia by Alexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyIn the Steppes of Central AsiaAlexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyA Major011B69 BPM
Symphonie espagnole, Op. 21: I. Allegro non troppo by Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel BarenboimSymphonie espagnole, Op. 21: I. Allegro non troppoÉdouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel BarenboimD Minor17A75 BPM
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) by Franz Liszt, Daniel Barenboim6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido)Franz Liszt, Daniel BarenboimD♭ Major03B69 BPM
Jeux d'enfants, Op. 22: No. 3, La poupée by Georges Bizet, Katia Labèque, Marielle LabèqueJeux d'enfants, Op. 22: No. 3, La poupéeGeorges Bizet, Katia Labèque, Marielle LabèqueB Major01B64 BPM
21 Hungarian Dances, WoO 1 (arr. J. Joachim for violin and piano): No. 2 in D Minor by Joseph Joachim, Johannes Brahms, Marat Bisengaliev, John Lenehan21 Hungarian Dances, WoO 1 (arr. J. Joachim for violin and piano): No. 2 in D MinorJoseph Joachim, Johannes Brahms, Marat Bisengaliev, John LenehanD Minor17A91 BPM
Piano Concerto No. 21 in C Major, K. 467: II. Andante by Wolfgang Amadeus Mozart, London Mozart Players, Howard ShelleyPiano Concerto No. 21 in C Major, K. 467: II. AndanteWolfgang Amadeus Mozart, London Mozart Players, Howard ShelleyF Major07B179 BPM
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante by Sergei Rachmaninoff, Alisa Weilerstein, Inon BarnatanSonata In G Minor For Cello & Piano, Op. 19: 3. AndanteSergei Rachmaninoff, Alisa Weilerstein, Inon BarnatanF Major27B82 BPM
3 Liebesträume, S. 541/3: No. 3, O lieb, so lang du lieben kannst (Arr. for Harp by Nora von Marschall) by Franz Liszt, Nora von Marschall3 Liebesträume, S. 541/3: No. 3, O lieb, so lang du lieben kannst (Arr. for Harp by Nora von Marschall)Franz Liszt, Nora von MarschallB♭ Major06B85 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico by Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw OrchestraViolin Concerto No. 1 in G Minor, Op. 26: III. Allegro energicoMax Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw OrchestraG Major39B97 BPM
La forza del destino: Overture (Sinfonia) by Giuseppe Verdi, Berliner Philharmoniker, Claudio AbbadoLa forza del destino: Overture (Sinfonia)Giuseppe Verdi, Berliner Philharmoniker, Claudio AbbadoE Minor29A80 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw OrchestraViolin Concerto No. 1 in G Minor, Op. 26: II. AdagioMax Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw OrchestraE♭ Major15B87 BPM
Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) by Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max RuisiSavior of the Nations, Come, BWV 659 (Arr. for 4 Cellos)Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max RuisiC Major08B122 BPM
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante by Carl Maria von Weber, Michael Endres7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: AndanteCarl Maria von Weber, Michael EndresE Major112B87 BPM
13 Pieces, Op. 76: No. 2, Etude by Jean Sibelius, Olli Mustonen13 Pieces, Op. 76: No. 2, EtudeJean Sibelius, Olli MustonenG Major09B66 BPM
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' by Nora Mercz, Nikolai Rimsky-Korsakov, Janos BalintSadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko'Nora Mercz, Nikolai Rimsky-Korsakov, Janos BalintF Major07B65 BPM
Wiegenlied, Op. 49, No. 4 by Johannes Brahms, Leonidas Kavakos, Yuja WangWiegenlied, Op. 49, No. 4Johannes Brahms, Leonidas Kavakos, Yuja WangE♭ Major05B74 BPM
2nd Movement: Largo by London Philharmonic Orchestra2nd Movement: LargoLondon Philharmonic OrchestraD♭ Major03B74 BPM
Lyric Pieces, Book 1, Op. 12: Arietta by Edvard Grieg, Einar Steen-NøklebergLyric Pieces, Book 1, Op. 12: AriettaEdvard Grieg, Einar Steen-NøklebergE♭ Major05B111 BPM
Salut d'amour, Op. 12 (Arr. Cullen for Cello and Orchestra) by Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James JuddSalut d'amour, Op. 12 (Arr. Cullen for Cello and Orchestra)Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James JuddD Major110B80 BPM
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne by Camille Saint-Saëns, Güher Pekinel, Éric Levionnais, Süher PekinelSaint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygneCamille Saint-Saëns, Güher Pekinel, Éric Levionnais, Süher PekinelE♭ Major15B82 BPM
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) by Academy of St. Martin in the FieldsPeer Gynt Suite No.1 op. 46 Morning (Allegro pastorale)Academy of St. Martin in the FieldsE Major012B68 BPM
Fauré: Pavane, Op. 50 (Instrumental Version) by Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the FieldsFauré: Pavane, Op. 50 (Instrumental Version)Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the FieldsF♯ Minor111A70 BPM
Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante by Wolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber OrchestraMozart: Piano Concerto No. 21 in C Major, K. 467: II. AndanteWolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber OrchestraF Major07B183 BPM
ISRC
DEF059002762
Label
L-M Records/RCA Records