"The Nutcracker, Op. 71: Act I: Tableau, Bild 2 - Scene" by Ernst Hoffmann, Slovak Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky had its release date on December 19, 1990. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Tchaikovsky: The Nutcracker/Glazunov: Les Sylphides". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, The Nutcracker, Op. 71: Act I: Tableau, Bild 2 - Scene's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Nutcracker, Op. 71: Act I: Tableau, Bild 2 - Scene by Ernst Hoffmann, Slovak Radio Symphony Orchestra, Pyotr Ilyich Tchaikovsky having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Carol Symphony: Scherzo: Allegro molto moderato | Victor Hely-Hutchinson, Prague City Philharmonic Orchestra, Gavin Sutherland | E Minor | 1 | 9A | 126 BPM | ||
| A Night on Bald Mountain | Leopold Stokowski, Philadelphia Orchestra | A Major | 2 | 11B | 120 BPM | ||
| Giselle: Act I: Entree joyeuse des vendangeurs et vendangeuses (Entry of the Grape-Pickers) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 117 BPM | ||
| Divertissement: Chocolate | San Francisco Ballet | A Major | 3 | 11B | 74 BPM | ||
| The Nutcracker: Pas de deux | Yuri Botnari | G Major | 5 | 9B | 67 BPM | ||
| Nutcracker, ballet, Op. 71 - Pas de deux | Royal Philharmonic Orchestra | G Major | 1 | 9B | 89 BPM | ||
| Suite for Variety Orchestra: VI. Waltz No. 2 | Dmitri Shostakovich, Rundfunk-Sinfonieorchester Berlin, Steven Sloane | C Minor | 2 | 5A | 93 BPM | ||
| Divertissement: Coffee | San Francisco Ballet | G Minor | 0 | 6A | 99 BPM | ||
| Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 2: No. 8, The Forest of Fir Trees in Winter. Journey Through the Snow | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 112 BPM | ||
| La source, ou Naila: Suite No. 3: Suite No. 3: Finale | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 66 BPM | ||
| La Sylphide: Act II: The Witch Scene | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | E Minor | 1 | 9A | 125 BPM | ||
| Voices of Spring, Op. 410 (Frühlingsstimmen) | Johann Strauss II, Boston Pops Orchestra, Arthur Fiedler | B♭ Major | 2 | 6B | 70 BPM | ||
| The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation III. Miettes qui tombent (Fairy of the Woodland Glade) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | D Major | 0 | 10B | 66 BPM | ||
| Sigurd Jorsalfar, Op. 56 - Three Orchestra Pieces: 1. Prelude (In the King's Hall) | Edvard Grieg, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | E Minor | 0 | 9A | 100 BPM | ||
| Act I: Marie's Dream | George Balanchine's The Nutcracker | D Minor | 2 | 7A | 83 BPM | ||
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM | ||
| Old Christmas Music: III. French trad.: Bring a Torch | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | A Major | 2 | 11B | 103 BPM | ||
| VI. Galop | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 168 BPM | ||
| Plink, Plank, Plunk! | Leroy Anderson, BBC Concert Orchestra, Leonard Slatkin | G Major | 0 | 9B | 161 BPM | ||
| Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 1: No. 5, Scene and Grandfather Dance | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 86 BPM | ||
| Chinese Dance | The Endless Orchestra | F Major | 2 | 7B | 115 BPM | ||
| Christmas Eve: Act I: Scene VI - Czardas and the Rain of Shooting Stars | Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 4 | 5B | 170 BPM | ||
| Lieutenant Kijé, Symphonic Suite, Op. 60: V. Interment of Kijé | Sergei Prokofiev, Neeme Järvi, Royal Scottish National Orchestra | B♭ Major | 0 | 6B | 80 BPM | ||
| Swan Lake, Op. 20a: VII. Danse napolitaine | Radio Bratislava Symphony Orchestra | D Major | 1 | 10B | 180 BPM | ||
| O Come, O Come, Emmanuel (Arr. for Double Bass & Piano by Thomas Gustavsson) | Traditional, PianoBasso | E♭ Minor | 0 | 2A | 77 BPM |