"Rejoice! Sonata for Violin and Violoncello: II. Rejoice with them that do rejoice" by Sofia Gubaidulina, Merel Vercammen, Maya Fridman had its release date on June 6, 2025. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sofia Gubaidulina, Merel Vercammen, Maya Fridman's "Gubaidulina: Rejoice!" album is number 2 out of 5. On top of that, Netherlands appears to be the country where this track was created. The popularity of Rejoice! Sonata for Violin and Violoncello: II. Rejoice with them that do rejoice is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rejoice! Sonata for Violin and Violoncello: II. Rejoice with them that do rejoice by Sofia Gubaidulina, Merel Vercammen, Maya Fridman to be Presto (very, very fast) because the track has a tempo of 181 BPM, a half-time of 90BPM, and a double-time of 362 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tandem: I. Con freschezze | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | D♭ Minor | 1 | 12A | 116 BPM | ||
| Danse Sayyid (No. 26) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner, Fernando Del Verme | G Minor | 2 | 6A | 74 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | E♭ Minor | 1 | 2A | 95 BPM | ||
| Ten Preludes for Cello Solo: V. Sul ponticello – Ordinario – Sul tasto | Sofia Gubaidulina, Boris Pergamenschikow | C Major | 0 | 8B | 78 BPM | ||
| 4 Pieces for Violin and Piano, Op. 7: No. 1, Sehr Langsam | Anton Webern, Diamanda La Berge Dramm, Helena Basilova | F♯ Minor | 0 | 11A | 133 BPM | ||
| String Quartet No. 4, 3rd Movement | Béla Bartók, vision string quartet | E♭ Minor | 1 | 2A | 95 BPM | ||
| Piano Quintet: II. Andante marciale | Sofia Gubaidulina, Kai Vogler, Mira Wang, Ulrich Eichenauer, Peter Bruns, Rieko Aizawa | D♭ Minor | 0 | 12A | 121 BPM | ||
| Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | E♭ Minor | 1 | 2A | 95 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
| St. John Easter: The Rider on a White Horse: Und dann sah ich (Baritone, Tenor, Chorus 1, Chorus 2, Soprano) | Sofia Gubaidulina, Julia Sukmanova, Corby Welch, Bernd Valentin, Nicholas Isherwood, Gächinger Kantorei Stuttgart, Musikhochschule Trossingen Kammerchor, Radio Sinfonieorchester Stuttgart des SWR, Helmuth Rilling | B♭ Major | 3 | 6B | 135 BPM | ||
| Pärt: Silouans Song | Arvo Pärt, Ostrobothnian Chamber Orchestra, Juha Kangas | F Minor | 0 | 4A | 130 BPM | ||
| Five Movements for String Quartet, Op. 5: II. Sehr langsam | Anton Webern, Leonkoro Quartet | E♭ Minor | 1 | 2A | 95 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | E♭ Minor | 1 | 2A | 95 BPM | ||
| Lamentate: Pregando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D♭ Minor | 0 | 12A | 68 BPM | ||
| I. Danza del Altiplano | Gabriela Lena Frank, ALIAS Chamber Ensemble | G Minor | 1 | 6A | 138 BPM | ||
| Pulsar 167 - En Vivo | Jimmy Herrera, Juan María Alfredo Herrera | D Major | 3 | 10B | 108 BPM | ||
| Fratres (Version for Wind Octet & Percussion) | Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts | A♭ Major | 2 | 4B | 78 BPM | ||
| The Rite of Spring, K015 (Version for 2 Pianos), Pt. 2: XI. Glorification of the Chosen One | Igor Stravinsky, Leif Ove Andsnes, Marc-André Hamelin | A♭ Minor | 1 | 1A | 92 BPM | ||
| 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone | Karol Szymanowski, Belcea Quartet | F♯ Minor | 1 | 11A | 83 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | E♭ Minor | 1 | 2A | 95 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: I. Lento assai - Allegro moderato | Karol Szymanowski, Belcea Quartet | F Major | 2 | 7B | 92 BPM | ||
| Piano Trio No. 2, Op. 67: 1. Andante - Moderato - Poco più mosso | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | C Minor | 2 | 5A | 125 BPM | ||
| Játékok / 1.: 25a. Örökmozgó (talált tárgy) | György Kurtág | C Major | 0 | 8B | 72 BPM | ||
| Symphony No. 3: I. Introduzione (Andante con moto) — Allegro con moto | Allan Pettersson, Christian Lindberg, Norrköping Symphony Orchestra | E♭ Minor | 1 | 2A | 95 BPM |