James P. Johnson's ' "You've Got To Be Modernistic" was released on its scheduled release date, October 8, 1991. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Snowy Morning Blues". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, You've Got To Be Modernistic's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With You've Got To Be Modernistic by James P. Johnson having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Thought I Heard Buddy Bolden Say | Jelly Roll Morton | B♭ Major | 2 | 6B | 200 BPM | ||
| Mood Indigo | Duke Ellington | F Major | 1 | 7B | 89 BPM | ||
| Beau-Koo-Jack | Omer Simeon Trio | C Minor | 4 | 5A | 122 BPM | ||
| Jamaica Jam - Version 2 | Teddy Powell | F Minor | 4 | 4A | 109 BPM | ||
| Blue Note Boogie | James P. Johnson | D♭ Major | 3 | 3B | 105 BPM | ||
| Blues for Jimmy | James P. Johnson | A♭ Major | 2 | 4B | 89 BPM | ||
| Saratoga Drag | Luis Russell, Albert Nicholas, Henry, J. C. Higginbotham, Charlie Holmes, George | G Minor | 5 | 6A | 202 BPM | ||
| Minor Jive (with James P. Johnson) | Frankie Newton & His Orchestra, James P. Johnson | D Minor | 1 | 7A | 89 BPM | ||
| Come on and Stomp, Stomp, Stomp | Johnny Dodds | B♭ Major | 2 | 6B | 200 BPM | ||
| Sweet Sue - Just You | Benny Goodman Quartet | G Major | 2 | 9B | 167 BPM | ||
| Indigo Stomp - 10/06/1931 | Johnny Dodds | G Major | 1 | 9B | 111 BPM | ||
| Oh, Lady Be Good | Count Basie | G Major | 3 | 9B | 94 BPM | ||
| Ain't Misbehavin' | Sidney Bechet and his New Orleans Feetwarmers | F Minor | 5 | 4A | 144 BPM | ||
| What Is This Thing Called Love ? | Sidney Bechet and his New Orleans Feetwarmers | C Minor | 2 | 5A | 94 BPM | ||
| Drummin' Man | Gene Krupa | C Minor | 8 | 5A | 113 BPM | ||
| Sweet Georgia Brown | Jo Jones Trio | A♭ Major | 7 | 4B | 98 BPM | ||
| Bouncing With Bud | Niels-Henning Ørsted Pedersen | F Major | 6 | 7B | 92 BPM | ||
| Rhapsody In Blue | George Gershwin, Paul Whiteman Concert Orchestra, Paul Whiteman | F Major | 2 | 7B | 112 BPM | ||
| Jelly Roll Blues | Jelly Roll Morton | B♭ Major | 2 | 6B | 200 BPM | ||
| Way Down Yonder in New Orleans | Bix Beiderbecke | G Major | 3 | 9B | 142 BPM | ||
| Rachel's Dream | Benny Goodman Quintet | C Major | 4 | 8B | 129 BPM | ||
| Blowin' up a Storm | Woody Herman & His Orchestra | B♭ Major | 3 | 6B | 97 BPM | ||
| The Minor Drag | Fats Waller | D♭ Major | 7 | 3B | 132 BPM | ||
| Wail Of The Scromph | Gene Sedric, Al Casey | A♭ Major | 2 | 4B | 86 BPM | ||
| Bizet Has His Day | Les Brown | C Minor | 4 | 5A | 148 BPM |