Paul Winter, Carlos Lyra's ' "Se e Tarde Me Perdoa (Forgive Me If I'm Late)" was released on its scheduled release date, July 22, 1964. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Se e Tarde Me Perdoa (Forgive Me If I'm Late)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "The Sound of Ipanema". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Se e Tarde Me Perdoa (Forgive Me If I'm Late)'s popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Se e Tarde Me Perdoa (Forgive Me If I'm Late) by Paul Winter, Carlos Lyra having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Você | Lucas Sousa Bossa | F Major | 5 | 7B | 158 BPM | ||
| Un Regard, Un Sourire | Tom & Joy | G Major | 3 | 9B | 128 BPM | ||
| Essa é Pro João | Rosa Passos | E Minor | 3 | 9A | 76 BPM | ||
| Feio Nao E Bonito | Paul Winter, Oscar Castro-Neves | E♭ Minor | 3 | 2A | 77 BPM | ||
| Cidade miniatura | Márcio Faraco, Milton Nascimento | B Major | 3 | 1B | 122 BPM | ||
| Anthem | Paul Winter, Paul Winter Consort | B Major | 1 | 1B | 110 BPM | ||
| Pra Machucar Meu Coração | Rosa Passos | E Minor | 4 | 9A | 106 BPM | ||
| Sambeando | Roberto Menescal, Carlos Lyra | B Minor | 6 | 10A | 156 BPM | ||
| Maria Ninguem (Maria Nobody) | Paul Winter, Carlos Lyra | D Major | 1 | 10B | 122 BPM | ||
| Nao Vou Pra Casa | João Gilberto | E Major | 0 | 12B | 92 BPM | ||
| Samambaia | Cesar Camargo Mariano, Helio Delmiro | C Major | 3 | 8B | 147 BPM | ||
| Maré Branda | Dom Amorim | G Major | 2 | 9B | 108 BPM | ||
| Monsieur Binot | Joyce Moreno | D Major | 5 | 10B | 122 BPM | ||
| Manhã de Carnaval | Arthur Hanlon | G Minor | 8 | 6A | 113 BPM | ||
| Outro tempo | Márcio Faraco | D♭ Minor | 3 | 12A | 115 BPM | ||
| Como É Gostoso Sonhar | Daniela Soledade | E Minor | 0 | 9A | 110 BPM | ||
| A Felicidade | Quarteto Jobim-Morelenbaum | E Minor | 5 | 9A | 170 BPM | ||
| Sea and Sand | Nicola Conte | F Major | 4 | 7B | 120 BPM | ||
| O Que Restou Do Nosso Amor (Que Reste I'll De Nos Amours) | Celso Fonseca | B♭ Minor | 3 | 3A | 124 BPM | ||
| The Days Taste Like You | Keep Calm | F Major | 4 | 7B | 92 BPM | ||
| Icarus | Paul Winter | G Major | 4 | 9B | 126 BPM | ||
| Calçadão de Copacabana | Zé Paulo Becker | D Major | 3 | 10B | 96 BPM | ||
| Song For The World | Paul Winter, Paul Winter Consort, The Dmitri Pokrovsky Singers | B♭ Major | 4 | 6B | 77 BPM | ||
| Bossa Nova Do Marilla | Ahmad Jamal | C Minor | 3 | 5A | 203 BPM | ||
| Falando de Amor | Quarteto Jobim-Morelenbaum | G Minor | 2 | 6A | 88 BPM |