Prima die Lectio prima: II. Aleph by Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre Song Details

"Prima die Lectio prima: II. Aleph" by Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre had its release date on 2001. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 29 in Cavalieri: Lamentations by Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Prima die Lectio prima: II. Aleph's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Prima die Lectio prima: II. Aleph by Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.

Music Key

F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 28%
Loudness: -24.694 dB
Acousticness: 82%
Danceability: 15%
Energy: 1%
Instrumentalness: 98%
Liveness: 11%
Loudness: 59%
Speechiness: 5%
Valence: 4%

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