"Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso" by Ludwig van Beethoven, Hélène Grimaud, Staatskapelle Dresden, Vladimir Jurowski had its release date on January 1, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Beethoven: Concerto No.5 "Emperor"; Piano Sonata No.28 by Ludwig van Beethoven, Hélène Grimaud, Staatskapelle Dresden, Vladimir Jurowski. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso by Ludwig van Beethoven, Hélène Grimaud, Staatskapelle Dresden, Vladimir Jurowski is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne No. 13 in C Major “Rêverie-Nocturne”, H.45 | John Field, Elizabeth Joy Roe | C Major | 1 | 8B | 115 BPM | ||
| Piano Sonata in E flat, H.XVI No.49: 2. Adagio e cantabile | Joseph Haydn, Alfred Brendel | B♭ Major | 0 | 6B | 146 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
| Franck: / Transc. Bauer: Prélude, Fugue et Variation, Op. 18, CFF 30B (transcr. H. Bauer) – Prélude: Andantino | César Franck, Mariam Batsashvili | B Minor | 1 | 10A | 85 BPM | ||
| Bagatelles I-XIII: Bagatelle I | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 135 BPM | ||
| Keyboard Sonata in E Major, Kk. 20 | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
| Nocturne No. 6 in F Major, ‘Cradle Song’, H.40 | John Field, Elizabeth Joy Roe | F Major | 0 | 7B | 69 BPM | ||
| España, Op. 165: II. Tango | Isaac Albéniz, Daniel Barenboim | D Major | 0 | 10B | 66 BPM | ||
| Pièces froides / II. Danses de travers: 1. En y regardant à deux fois | Hélène Grimaud | A Minor | 0 | 8A | 72 BPM | ||
| Thaïs / Acte Deux: Méditation religieuse - Symphonie | Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Vladimir Horowitz | D♭ Minor | 0 | 12A | 75 BPM | ||
| Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | B Major | 0 | 1B | 89 BPM | ||
| Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd | E Major | 0 | 12B | 80 BPM | ||
| Petite Suite, CD 71: I. En bateau | Claude Debussy, Lucas Jussen, Arthur Jussen | C Major | 3 | 8B | 84 BPM | ||
| Rêverie au bord de la mer, WoO | Jacques Offenbach, Raphaela Gromes, Julian Riem | G Major | 1 | 9B | 73 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Gürzenich Orchester Köln, James Conlon | F Major | 0 | 7B | 94 BPM | ||
| Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Nikolaus Harnoncourt, Berliner Philharmoniker | C Minor | 0 | 5A | 175 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo (Adapt. by Tamas Batiashvili for Violin and Orchestra) - NEW YORK | Antonín Dvořák, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | D♭ Major | 0 | 3B | 87 BPM | ||
| Salut d’Amour | Jeremy Young | E Major | 0 | 12B | 63 BPM | ||
| Liszt: 6 Consolations, S. 172: No. 3, Lento placido | Franz Liszt, Mariam Batsashvili | D♭ Major | 0 | 3B | 75 BPM | ||
| Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
| Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: I. Allegro | Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | G Major | 1 | 9B | 122 BPM | ||
| Thaïs: Méditation (Arr. Knoth) | Jules Massenet, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | D Major | 1 | 10B | 116 BPM | ||
| Etudes-Tableaux, Op. 33, No. 2 in C Major | Hélène Grimaud | F Major | 0 | 7B | 84 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon (Instrumental Version) | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM |