Sanzida Rimi's 'Shal Tole Bela Dubilo' had a release date set for April 17, 2025. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 14 in Best Folk Song Of Sanzida Rimi by Sanzida Rimi. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Shal Tole Bela Dubilo's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Shal Tole Bela Dubilo by Sanzida Rimi is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nagor Baul | Anirban Sur, Rudra Sarkar, Saikat Ghosh | F Major | 5 | 7B | 110 BPM | ||
| Shonar Deho Koira Kala | Remo Biplob | F Major | 4 | 7B | 95 BPM | ||
| Vul Bujhona | Shilpi Biswas | D♭ Minor | 9 | 12A | 150 BPM | ||
| Valobashe Jai Solo | Shilpi Biswas | A Minor | 7 | 8A | 87 BPM | ||
| Oporadhi Pola Re | Sorna | D♭ Major | 7 | 3B | 130 BPM | ||
| Tui Bihone Kemone Vaci | Rabiya Khatun | F Minor | 6 | 4A | 115 BPM | ||
| Maya Mukh | Muhammad Milon, Sanzida Rimi | A Minor | 7 | 8A | 84 BPM | ||
| Purnimari Chader Alo | Ahmed Sajeeb, Sanzida Rimi | D Major | 6 | 10B | 124 BPM | ||
| Eka Thaka Shikhe Gechi | Sathi Khan | B Major | 6 | 1B | 100 BPM | ||
| Shyama Aan Baso 2 | Royal Amit | D Minor | 4 | 7A | 83 BPM | ||
| Ato Ayojon | Danesh Ali | B♭ Minor | 4 | 3A | 80 BPM | ||
| Valo Laga | Avraal Sahir, Prashmita Paul | G Minor | 7 | 6A | 75 BPM | ||
| Powerful Bhakti Song | मन को मंदिर बना ले | Emotional & Soulful Spiritual Bhajan | Naga Navtra | A♭ Minor | 3 | 1A | 85 BPM | ||
| O Baba Bholenath | Riya Barun Biswas | E Minor | 7 | 9A | 157 BPM | ||
| Aisa Jeevan mujhko Diya | Sanzida Rimi | A♭ Major | 6 | 4B | 81 BPM | ||
| Ki Oporadh Paiya Re Bondhu | Mobarok | B Major | 2 | 1B | 135 BPM | ||
| Korecho Pagol | Milon | F Major | 6 | 7B | 90 BPM | ||
| Ki Kore Bolbo Toke | Avraal Sahir, Ankita Bhattacharyya | E Minor | 5 | 9A | 84 BPM | ||
| Pagol Mon | Arpita Biswas | C Major | 6 | 8B | 78 BPM | ||
| Tomaro Lagiya | Nazmul Hoque, Sujan Khan | C Major | 7 | 8B | 104 BPM | ||
| Prohor | Sojib, Sanzida Rimi | G Major | 4 | 9B | 86 BPM | ||
| Por Korecho Ghor Bedhecho | Tanzil Misbah | F♯ Minor | 5 | 11A | 120 BPM | ||
| Kichu Hasi Kichu Asha | Ariyoshi Synthia | D♭ Minor | 4 | 12A | 98 BPM | ||
| E Mon Aaj | Abir Biswas | A Minor | 6 | 8A | 79 BPM | ||
| Kokhono Bhalobashoni | Sathi Khan, Asif Akbar | G Minor | 2 | 6A | 78 BPM |