"Spaceboots Were Made For Marching" by Marc Aaron Jacobs had its release date on March 6, 2018. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Spaceboots Were Made For Marching's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Percussive Scores 2". In this album, this song's track order is #17. In terms of popularity, Spaceboots Were Made For Marching is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Spaceboots Were Made For Marching by Marc Aaron Jacobs having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Flying Colours | Christopher Slaski | E Major | 3 | 12B | 103 BPM | ||
| Listen | Matthew Raetzel | A♭ Minor | 1 | 1A | 173 BPM | ||
| Cold Intrigue | Frederic Sans | A Minor | 4 | 8A | 165 BPM | ||
| Lazy Art | Martin Landström | A♭ Major | 7 | 4B | 125 BPM | ||
| Dare To Love | Christopher Bentley Kemp, Marc Aaron Jacobs | G Minor | 2 | 6A | 104 BPM | ||
| Darkness Falls | Marc Aaron Jacobs | D♭ Major | 4 | 3B | 184 BPM | ||
| Carbon Mesa | Kris Bowers | E♭ Major | 4 | 5B | 69 BPM | ||
| Corpo A Corpo | Marc Aaron Jacobs | A♭ Major | 3 | 4B | 158 BPM | ||
| Herbalist's Refuge | Hytale, Oscar Garvin | A♭ Major | 3 | 4B | 158 BPM | ||
| The Outfit | Alexandre Desplat | G Major | 1 | 9B | 127 BPM | ||
| Winfield House | Nathan Barr, Dimitri Smith | G Minor | 3 | 6A | 140 BPM | ||
| RSVP | Stuart Earl | C Minor | 4 | 5A | 87 BPM | ||
| The Impossible Crime | Nathan Klein, F. Keane | C Minor | 4 | 5A | 183 BPM | ||
| Le miroir de nos vies | Christophe Julien | A Minor | 1 | 8A | 112 BPM | ||
| Toad In The Hole | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Exploration | Christopher Bentley Kemp, Marc Aaron Jacobs | D Minor | 5 | 7A | 114 BPM | ||
| They Call It Nonsense | Bonn Fields | G Major | 1 | 9B | 172 BPM | ||
| Nitty Gritty | Ziggy | F Minor | 3 | 4A | 67 BPM | ||
| Les démons d'Athos | Guillaume Roussel | D♭ Major | 5 | 3B | 161 BPM | ||
| L'éditrice lit | Jean-Michel Bernard | A♭ Major | 3 | 4B | 158 BPM | ||
| VARIATION AUTOUR D'UN PRÉLUDE - Anatomie d'une chute | Benoît Daniel | A Minor | 1 | 8A | 62 BPM | ||
| 分工合作 | 董冬冬 | A Minor | 2 | 8A | 146 BPM | ||
| New Room | Pinar Toprak | D Minor | 0 | 7A | 65 BPM | ||
| Mad | Carlos Rafael Rivera | E♭ Major | 0 | 5B | 88 BPM | ||
| The Gilded Age (Main Title Theme) | Harry Gregson-Williams, Rupert Gregson-Williams | E♭ Major | 5 | 5B | 90 BPM |