"Back to Work" by George Agate had its release date on September 26, 2025. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Back to Work's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Back to Work and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Back to Work is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Back to Work by George Agate is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Just a Memory | Carl Dwight | G Major | 0 | 9B | 65 BPM | ||
| Get Us a Cab | Claire Martinelle | G Minor | 0 | 6A | 69 BPM | ||
| Midnight on 5th Avenue | Carmen Simmons | F Minor | 0 | 4A | 131 BPM | ||
| Late Supper | Mark Benson | C Major | 0 | 8B | 61 BPM | ||
| In Your Way | Mandy | A Minor | 1 | 8A | 109 BPM | ||
| Golden Afternoon | The Manhattan Trio | G Major | 1 | 9B | 101 BPM | ||
| Moonlight Melody | Miles Hartfield | A Major | 2 | 11B | 71 BPM | ||
| You Will Be Missed | Myles Dale | F Major | 0 | 7B | 74 BPM | ||
| One Night | George Gower | A♭ Major | 1 | 4B | 136 BPM | ||
| A Late Night with You | Wes Ivory | E♭ Major | 0 | 5B | 63 BPM | ||
| The Illusive Mind | Morgan Meir | E♭ Major | 0 | 5B | 61 BPM | ||
| Next Weekend | Ben Lively | G Minor | 1 | 6A | 104 BPM | ||
| Call It a Day | Uno Blanket | D Minor | 0 | 7A | 84 BPM | ||
| Doyers Street | Jakob München | F Major | 0 | 7B | 133 BPM | ||
| Fading light | Blue Hour Theory | C Major | 1 | 8B | 91 BPM | ||
| Midnight Espresso | James Earle Trio | D Minor | 1 | 7A | 113 BPM | ||
| Leave Us Fonder | Yuffin Joah | C Major | 0 | 8B | 102 BPM | ||
| You and I | Mason Olsen | G Minor | 0 | 6A | 73 BPM | ||
| Everyone Will Know | Hveiti Brauo | E♭ Major | 0 | 5B | 80 BPM | ||
| Kisses After Rain | Anson Tran | B♭ Major | 2 | 6B | 69 BPM | ||
| Late Night Dinner | Meg Lawrence | D♭ Major | 0 | 3B | 136 BPM | ||
| I am sure | Laura Romano | B♭ Major | 0 | 6B | 66 BPM | ||
| New Years Ahead | Kim Winther | F♯ Major | 0 | 2B | 57 BPM | ||
| A Portrait of Jennie | Carl Winther, Rune Fog-Nielsen, Anders Mogensen | F Minor | 1 | 4A | 68 BPM | ||
| Dreaming Of You | Rudy Winston | E Minor | 0 | 9A | 63 BPM |