On February 28, 2014, the song "Ready, Steady, Tapas!" was released by Paul Reeves. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 28 in Commercial Bites by Paul Reeves. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Ready, Steady, Tapas! is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ready, Steady, Tapas! by Paul Reeves is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le Parc De Plaisir | Francois Parisi | B♭ Minor | 2 | 3A | 138 BPM | ||
| Changing Outlook | Trevor Kowalski | D Major | 3 | 10B | 147 BPM | ||
| Mrs. True | Mark Isham | F♯ Major | 1 | 2B | 137 BPM | ||
| Charleston | Paul Reeves | A Major | 5 | 11B | 129 BPM | ||
| Escape to Sicily | Louis Adrien | A Minor | 2 | 8A | 185 BPM | ||
| From Small Beginnings | Paul Reeves | D Major | 2 | 10B | 130 BPM | ||
| Soaring Horizon | Philip Guyler | E Major | 3 | 12B | 103 BPM | ||
| Street Theater in Naples | Andrea Montepaone | G Major | 4 | 9B | 100 BPM | ||
| Polka della Liberazione | Paolo Buonvino | A Major | 2 | 11B | 84 BPM | ||
| Tree Awaiting Spring | W-Elephant | C Major | 1 | 8B | 108 BPM | ||
| Pipe Dreams | Brightarm Orchestra | G Major | 2 | 9B | 113 BPM | ||
| N'attrape pas froid | Laurent Aknin | A Minor | 2 | 8A | 73 BPM | ||
| French Jazz | Bohoman | F♯ Minor | 5 | 11A | 82 BPM | ||
| Petits sauts delicats avec grand écart | René Aubry | C Major | 3 | 8B | 94 BPM | ||
| Time for Tea | Adam Saunders, Mark Cousins | G Minor | 3 | 6A | 96 BPM | ||
| Llegando al País de las Últimas Cosas - Original Soundtrack | Lapso Producciones | B Minor | 3 | 10A | 77 BPM | ||
| At Evenfall | Howard Harper-Barnes | A♭ Major | 3 | 4B | 120 BPM | ||
| End of the Beginning | Fabien Tell | E♭ Minor | 1 | 2A | 181 BPM | ||
| Satin Slipper | Brightarm Orchestra | E♭ Minor | 1 | 2A | 181 BPM | ||
| Classic By Design | Paul Mottram | D Major | 3 | 10B | 80 BPM | ||
| Seul Ce Soir | Swing 41, Jørgen Martinsen, Peter Williams, Martin Walker, Flemming Honig | A Minor | 3 | 8A | 141 BPM | ||
| Motivation | Pascal Hautois | C Major | 3 | 8B | 125 BPM | ||
| Bad Cat Blues | Cliff Haywood, Ray Butcher, Paul Reeves | D Minor | 8 | 7A | 165 BPM | ||
| Island of Spells | Dmitriy Sevostyanov | B♭ Major | 3 | 6B | 140 BPM | ||
| Fireman | Ruth Barrett, Jon Wygens | G Major | 4 | 9B | 127 BPM |