Kurt Weill, Anne Jeffreys, Brian Sullivan, Maurice Abravanel's 'Street Scene: We'll Go Away Together' had a release date set for 1949. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Street Scene (Original Broadway Cast Recording)". In this album, this song's track order is #16. Street Scene: We'll Go Away Together is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Street Scene: We'll Go Away Together by Kurt Weill, Anne Jeffreys, Brian Sullivan, Maurice Abravanel having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stabat Mater, FP 148: I. Stabat mater dolorosa | Francis Poulenc, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 1 | 8A | 77 BPM | ||
| Out of Touch | Laurent Dury | B♭ Minor | 1 | 3A | 68 BPM | ||
| "Alles Schwindel" | Mischa Spoliansky, Ute Lemper, Matrix Ensemble, Jeff Cohen, Robert Ziegler | A Minor | 2 | 8A | 125 BPM | ||
| Wesendonck Lieder, WWV 91 (Orch. Mottl): V. Träume | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 76 BPM | ||
| L'Invitation au voyage (Transc. for Cello and Piano by Camille Thomas) | Henri Duparc, Camille Thomas, Julien Libeer | A Minor | 1 | 8A | 171 BPM | ||
| Surabaya-Johnny | Lotte Lenya | F Minor | 2 | 4A | 124 BPM | ||
| Etudes latines: Néère | Reynaldo Hahn, Véronique Gens, Susan Manoff | F♯ Minor | 0 | 11A | 104 BPM | ||
| Dance Suite, Sz. 77, BB 86a: III. Allegro vivace - Arr. for Saxophone and Accordion by MZ Duo | Béla Bartók, MZ Duo | B♭ Minor | 1 | 3A | 68 BPM | ||
| Barbara Song | Bertolt Brecht, Kurt Weill, Robyn Archer/The London Sinfonietta, Dominic Muldowney, London Sinfonietta | F Minor | 1 | 4A | 131 BPM | ||
| King Arthur, Z. 628: Cold song - Arr. for Voice & Piano | Henry Purcell, Théophile Alexandre, Guillaume Vincent | D♭ Major | 1 | 3B | 88 BPM | ||
| 4 Letzte Lieder, TrV 296: No. 4, Im Abendrot | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 92 BPM | ||
| Theme and Explorations for Orchestra: IV. Charging the Batteries | Dave Brubeck, Chris Brubeck, The Moores Symphony Orchestra, Franz Anton Krager | A Minor | 4 | 8A | 103 BPM | ||
| Aufstieg und Fall der Stadt Mahagonny, Act I: Auf nach Mahagonny | Kurt Weill, Wolfgang Neumann, Frederic Mayer, Paul Wolfrum, Hans Franzen, Cologne Radio Orchestra, Jan Latham-Koenig | E Major | 4 | 12B | 169 BPM | ||
| Poulenc: Léocadia, FP 106: Les chemins de l'amour | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | D♭ Major | 1 | 3B | 83 BPM | ||
| Erbarme Dich / Have mercy (Aria: MP 39) | Sarband | G Minor | 1 | 6A | 92 BPM | ||
| Salome, Op. 54, Scene 4: Salome's Dance of the Seven Veils | Richard Strauss, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F Minor | 0 | 4A | 86 BPM | ||
| One Touch of Venus: I'm A Stranger Here Myself | Kurt Weill, Ute Lemper, RIAS Berlin Kammerensemble | E♭ Minor | 3 | 2A | 112 BPM | ||
| Anstatt-Dass-Song (1.Akt) (Polly Peachum ist nicht | Bertolt Brecht, Kurt Weill | B♭ Major | 2 | 6B | 108 BPM | ||
| Dein ist mein Herz | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | D♭ Minor | 1 | 12A | 82 BPM | ||
| Meine Lippen, sie küssen so heiß (Giuditta) | Franz Lehár, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | C Major | 1 | 8B | 116 BPM | ||
| Symphony No. 1, RO 255 "La nuit des tropiques": II. Allegro moderato | Louis Moreau Gottschalk, Vienna State Opera Orchestra, Igor Buketoff | G Major | 1 | 9B | 117 BPM | ||
| Adagio: Sonata No.3 In E BWV 1016 | The Swingle Singers | F♯ Minor | 1 | 11A | 100 BPM | ||
| Juditha triumphans, RV 644: Air "Armatae face et anguibus" | Antonio Vivaldi, Lea Desandre, Jupiter, Thomas Dunford | E♭ Major | 9 | 5B | 125 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | B♭ Minor | 1 | 3A | 68 BPM | ||
| Zueignung, Op. 10 No. 1 (Version with Orchestra) | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | C Major | 2 | 8B | 102 BPM |