"アヴェ・マリア" by Tokyo Ladies Singers had its release date on September 21, 2016. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in アヴェ・マリア~祈りと癒しの歌, so we believe that "アヴェ・マリア" is a single. アヴェ・マリア is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of アヴェ・マリア by Tokyo Ladies Singers is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 空 〜ぼくらの第2章〜【混三】 | 大田桜子, 鈴木成夫 指揮, Ensemble-Bells, 山内知子(ピアノ) | C Major | 2 | 8B | 76 BPM | ||
| Stand Alone | Joe Hisaishi, 麻衣 | D♭ Major | 2 | 3B | 93 BPM | ||
| まことの愛 - ミュージカル「ファントム」より | 真彩希帆 | D Major | 3 | 10B | 170 BPM | ||
| 君とみた海(混三) | 藤井宏樹, クーネル・コエンデン, 花田美佐子 | B Major | 1 | 1B | 141 BPM | ||
| あなたに会えて…【混三】 | 山崎朋子, 野本立人 指揮/合唱団「翠」/山内知子 ピアノ | D Major | 2 | 10B | 82 BPM | ||
| きよしこの夜<264番> | 東京カントライ, Tokyo Ladies Singers, 前田二生 | B♭ Major | 2 | 6B | 81 BPM | ||
| 14 -fourteen-(混三) | 弓削田健介, 田中エミ 指揮/おうたや/ピアノ 前田勝則 | A Major | 2 | 11B | 79 BPM | ||
| すべてはあなたに(マリー・アントワネット) [Live at Yomiuri Otemachi Hall, 2020/11/6] | 小野田龍之介 | E♭ Major | 2 | 5B | 77 BPM | ||
| かみともにいまして(讃美歌 第405番) | William G.Tomer, 聖ヶ丘教会聖歌隊, 小島策朗 | C Major | 1 | 8B | 78 BPM | ||
| すずしろのはな | Ryo Yoshimata | A♭ Major | 2 | 4B | 70 BPM | ||
| 浜辺の歌 | Tamezo Narita, Yumiko Samejima | A♭ Major | 1 | 4B | 84 BPM | ||
| 限りなき感謝を(リプライズ) | SHIKI THEATRE COMPANY | D Major | 3 | 10B | 176 BPM | ||
| リフレイン | 野本立人, アンサンブル・ヴォカル・アルカイク=東京, 吉田慶子 | C Major | 2 | 8B | 114 BPM | ||
| ああベツレヘムよ<267番> | クロスロード・アカデミー・コーア | F Major | 1 | 7B | 85 BPM | ||
| シュテックメスト:「歌の翼」による幻想曲 作品17-1 | 武良静枝 | G Major | 1 | 9B | 142 BPM | ||
| Sailing my life | Ayaka Hirahara | F♯ Major | 5 | 2B | 75 BPM | ||
| 気球に乗ってどこまでも | 渡瀬昌治, 神代中学校合唱団, 井上美都 | C Major | 2 | 8B | 140 BPM | ||
| Himno Ng Sangay Ng Las Piñas - Vocal Version | Larry Byl Cuenca, Larry Byl Tero Cuenca, Byl Cuenca, Judith J. Hermida | F Major | 5 | 7B | 106 BPM | ||
| オール・アイ・アスク・オブ・ユー | Kanji Ishimaru, 笹本 玲奈 | D♭ Major | 2 | 3B | 69 BPM | ||
| カノン - ヴォーカル・アンサンブル | J. パッヘルベル, ヴォーチ・アルモニケ | D Major | 2 | 10B | 77 BPM | ||
| Noel | Ruah Worship, Luke Standridge | D Major | 2 | 10B | 80 BPM | ||
| Santa lucia/サンタ・ルチア | 今井俊輔 | D Major | 3 | 10B | 170 BPM | ||
| 今を生きる 【混声】 | 八木澤教司, 藤井宏樹 指揮, 樹の会, 前田勝則(ピアノ) | B♭ Major | 2 | 6B | 90 BPM | ||
| カプリオール組曲: II. Pavane | Peter Warlock, 石田組 | B♭ Major | 1 | 6B | 82 BPM | ||
| Ave Verum Corpus | Sunday 7pm Choir | D Major | 2 | 10B | 74 BPM |