Old Fire's ' "Along Came A Sadness (Commentary)" was released on its scheduled release date, September 19, 2016. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 26 in the song's album "Songs From The Haunted South (Album Commentary)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Along Came A Sadness (Commentary) is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Along Came A Sadness (Commentary) by Old Fire having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Death of the House Phone | King Hannah | B Minor | 0 | 10A | 86 BPM | ||
| Come Wander / Chimicum Rain - Arlo Day Remix | WOOM, Arlo Day | A♭ Major | 1 | 4B | 128 BPM | ||
| Exercise 1 (Bass) | AHO | C Major | 2 | 8B | 132 BPM | ||
| Dust Settles, Hearts Don't | Sense Nox | B♭ Minor | 2 | 3A | 82 BPM | ||
| Pure Light | David Garza | F Major | 1 | 7B | 150 BPM | ||
| Along Came a Sadness | Old Fire | A♭ Major | 1 | 4B | 74 BPM | ||
| Rising | Mason Lindahl | E Minor | 4 | 9A | 82 BPM | ||
| Telephone Ghost | Cassandra Jenkins | C Major | 2 | 8B | 80 BPM | ||
| "A Circle and a Star" | Jane Weaver, Susan Christie | A Minor | 3 | 8A | 89 BPM | ||
| a new morning breaks | Tashi Dorji | B♭ Minor | 2 | 3A | 82 BPM | ||
| Short of One Dimension | Exit North | F♯ Major | 2 | 2B | 170 BPM | ||
| Eyes of the Spirit Wolf | Yarui | B♭ Minor | 2 | 3A | 82 BPM | ||
| Genuine. The Tale of a Vampire (Main Theme) | SeBoom, Ola | C Minor | 2 | 5A | 83 BPM | ||
| Mosquito | Tara Nome Doyle | D Minor | 1 | 7A | 66 BPM | ||
| Swimming In The Quarry | Adrian Crowley | C Major | 2 | 8B | 140 BPM | ||
| A Steady Mind | Loma | G Major | 5 | 9B | 83 BPM | ||
| Now (Stars are Lit) | Alabaster DePlume | E♭ Minor | 2 | 2A | 100 BPM | ||
| Blue | Caius Boynton | F Major | 5 | 7B | 83 BPM | ||
| Seemingly | Chantal Acda, Bruno Bavota, Adam Wiltzie, Beatrijs De Klerck, Pavel Karlik, Gerd Van Mulders, Phill Brown, Niels Van Heertum | B♭ Minor | 2 | 3A | 82 BPM | ||
| Bloom | Naima Joris, Vitja Pauwels | C Major | 0 | 8B | 109 BPM | ||
| Two Wrongs | Samana | F Minor | 4 | 4A | 112 BPM | ||
| Fake | LEYA | B♭ Minor | 8 | 3A | 128 BPM | ||
| The Flat Horizon | Jan Van den Broeke, June11 | C Major | 0 | 8B | 178 BPM | ||
| True Story | Sylvee & The Sea, Pieta Brown, John Convertino | G Major | 4 | 9B | 66 BPM | ||
| Carousel | Brennt Vanneste | D Minor | 3 | 7A | 141 BPM |