"Verdi : Rigoletto : Act 1 "Gia da tre lune" [Gilda, Rigoletto, Giovanna]" by Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera had its release date on 1992. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi : Rigoletto by Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera. The song's track number on the album is #10 out of 36 tracks. Based on our data, Germany was the country where this track was produced or recorded. Verdi : Rigoletto : Act 1 "Gia da tre lune" [Gilda, Rigoletto, Giovanna] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi : Rigoletto : Act 1 "Gia da tre lune" [Gilda, Rigoletto, Giovanna] by Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi : Rigoletto : Act 1 "Gia da tre lune" [Gilda, Rigoletto, Giovanna] being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Jacques Pruvost, Robert Geay, George London, Michel Sénéchal, Jean Christophe Benoit, Jean-Pierre Laffage, Nicola Ghiuselev, André Malla | D Major | 1 | 10B | 90 BPM | ||
| Messa da Requiem: Requiem aeternam | Giuseppe Verdi, Elena Filipova, Gloria Scalchi, Cesar Hernandez, Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | E♭ Minor | 0 | 2A | 130 BPM | ||
| Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
| Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
| Marechiare | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | C Major | 2 | 8B | 132 BPM | ||
| Siface: Come Nave in mezzo all'onde | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 4 | 12B | 140 BPM | ||
| Puccini: Madama Butterfly, Act 1: "E soffitto, e pareti" (Pinkerton, Goro) | Giacomo Puccini, Sir John Barbirolli, Carlo Bergonzi, Piero de Palma, Orchestra Del Teatro Dell'Opera Di Roma | D♭ Major | 7 | 3B | 105 BPM | ||
| Rigoletto / Act 3: "V'ho ingannato" | Giuseppe Verdi, Cheryl Studer, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 2 | 3B | 80 BPM | ||
| Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
| Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
| The Abduction from the Seraglio, K. 384, Act III: Pasha Selim, live for ever (Chorus) | Wolfgang Amadeus Mozart, Yehudi Menuhin, Bath Festival Orchestra, Ambrosian Singers | D♭ Major | 0 | 3B | 138 BPM | ||
| Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
| Tristan und Isolde, Act III: Liebestod (Concert Version) | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
| L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
| Verdi: Messa da Requiem: XIX. Libera me | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
| Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
| Leoncavallo : Pagliacci : Act 1 "Recitar!" [Canio] | Ruggero Leoncavallo, José Cura, Philharmonia Orchestra | E Minor | 2 | 9A | 88 BPM | ||
| La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Pumeza Matshikiza, Aarhus Symphony Orchestra, Tobias Ringborg | D Major | 2 | 10B | 89 BPM | ||
| La bohème, Act I: Questo mar rosso | Giacomo Puccini, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan | C Major | 9 | 8B | 124 BPM | ||
| Nabucco / Act I: O vinti, il capo a terra! | Giuseppe Verdi, Piero Cappuccilli, Yevgeny Nesterenko, Plácido Domingo, Ghena Dimitrova, Lucia Popp, Lucia Valentini Terrani, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D Major | 5 | 10B | 79 BPM | ||
| La traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Wendy White, Jeffrey Wells, Julien Robbins, Anthony Laciura, Metropolitan Opera Chorus, John Keenan, Metropolitan Opera Orchestra, James Levine | G Major | 3 | 9B | 87 BPM | ||
| Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
| Le nozze di Figaro, K. 492, Atto I Scene 1 - 2: No. 1, Duettino. Cinque... dieci... venti... (Figaro, Susanna) | Wolfgang Amadeus Mozart, Lorenzo Regazzo, Patrizia Ciofi, Concerto Köln, René Jacobs | D Major | 1 | 10B | 134 BPM | ||
| La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM |