Ravindra Jain, Mahendra Kapoor's ' "Aaj Dharam Aur Paap Ki Ladayi Hai, Pt. 2" was released on its scheduled release date, January 1, 2007. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ravindra Jain's "Lanka Kaand" album is number 81 out of 94. On top of that, India appears to be the country where this track was created. In terms of popularity, Aaj Dharam Aur Paap Ki Ladayi Hai, Pt. 2 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Aaj Dharam Aur Paap Ki Ladayi Hai, Pt. 2 by Ravindra Jain, Mahendra Kapoor to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Karo Hari Darshan - With Dialogue | Mahendra Kapoor, Kalyanji-Anandji | A♭ Major | 6 | 4B | 83 BPM | ||
| Mera Rang De Basanti Chola | Mukesh, Rajendra Mehta, Mahendra Kapoor | F♯ Major | 7 | 2B | 87 BPM | ||
| Jap Le Hari ka Naam | NARAYANSWAMI | A♭ Major | 7 | 4B | 142 BPM | ||
| Maar Gai Re | Hemlata, Jaspal Singh | F Major | 4 | 7B | 142 BPM | ||
| O Mote - Mote Naenan | Baba Rasika Pagal | A♭ Major | 5 | 4B | 79 BPM | ||
| Jamuna Mein Kude Shyam | Piyusha-Kailash Anuj | A♭ Minor | 6 | 1A | 100 BPM | ||
| Hamne Jag Ki Ajab Tasveer Dekhi | Pradeep | B Minor | 5 | 10A | 142 BPM | ||
| Aayo Kahan Se Ghanshyam | Manna Dey, Archana, Majrooh Sultanpuri | E Major | 3 | 12B | 123 BPM | ||
| Is Jag Men Kya Kya Hota Hai | Kanta Kumari, H Khan Mastana | C Minor | 2 | 5A | 66 BPM | ||
| Mann Mein Basa Ke Teri Murti | Vandana Bajpai, Vinod Rathod | A Minor | 7 | 8A | 137 BPM | ||
| Sang Me Dharuka | Usha Mangeshkar, Mahendra Kapoor | A♭ Major | 7 | 4B | 85 BPM | ||
| Bhole Teri Kirpa Se | Debashish Dasgupta | G Major | 5 | 9B | 82 BPM | ||
| Nadiya Mein Lehren Nache | Shyamal Mitra | A♭ Major | 4 | 4B | 125 BPM | ||
| Deewana Tera Aaya Bhole Teri Nagari Me | Dhiren Mehta | A♭ Major | 9 | 4B | 170 BPM | ||
| Vachana Vida Ke Paath | Hemlata | A Major | 5 | 11B | 150 BPM | ||
| Sarangay Namoh Namah | Arun Dangle | E Major | 5 | 12B | 111 BPM | ||
| Patthar Se Sheesha | Anand Kumar C. | B Major | 4 | 1B | 125 BPM | ||
| Badi Der Bhai | Mohammed Rafi | E♭ Minor | 3 | 2A | 94 BPM | ||
| Raghurai He Raghurai Pag Dhokar Naav Chadhaiyo (From "Ayodhya Kaand") | Ravindra Jain, Arun Dangle | E Major | 5 | 12B | 111 BPM | ||
| Tu Man Ki Ati Bhori | Chandrani Mukherjee, Ravindra Jain | D Major | 2 | 10B | 133 BPM | ||
| Priye Paha 1965 | Annasaheb Kirloskar | B♭ Major | 3 | 6B | 112 BPM | ||
| De Daru | Kishore Kumar, Manhar Udhas, Mahendra Kapoor, Laxmikant–Pyarelal | A♭ Major | 7 | 4B | 91 BPM | ||
| Gham Ka Fasana | Kishore Kumar, Laxmikant–Pyarelal | D♭ Minor | 4 | 12A | 81 BPM | ||
| Yehi Vo Raavan Jiske Kaaran | Ravindra Jain | C Major | 7 | 8B | 86 BPM | ||
| Hanuman Baan | Satish Dehra | A Minor | 4 | 8A | 92 BPM |